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  1. 13. Dez. 2006 · Consequently, anyone interested in sixties Soul (as well as New Orleans music), needs to own an Irma Thomas collection. Unfortunately, there is no definitive collection available on Thomas. Her first song, "(You Can Have My Husband But) Don't Mess with My Man," available on a Ron Records various artists CD, is a spunky little masterpiece essential to her story that is routinely left off of her ...

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  2. Irma Thomas wuchs in New Orleans auf und sang als Teenager in einem Gospel-Chor. Im Alter von 19 Jahren war sie bereits zum zweiten Mal verheiratet und Mutter von vier Kindern. Sie arbeitete zunächst als Kellnerin und erhielt 1960 ihren ersten Plattenvertrag. Ihre erste Single (You Can Have My Husband But) Don’t Mess With My Man erreichte ...

  3. en.wikipedia.org › wiki › Irma_ThomasIrma Thomas - Wikipedia

    Rounder. Maison de Soul. Irma Thomas ( née Lee; born February 18, 1941) [1] [2] is an American singer from New Orleans. [3] She is known as the "Soul Queen of New Orleans". [2] Thomas is a contemporary of Aretha Franklin and Etta James, but never experienced their level of commercial success. [2] In 2007, she won the Grammy Award for Best ...

  4. 25. Aug. 2009 · Simply the Best (1991) True Believer (1992) Walk Around Heaven: New Orleans Gospel Soul (1993) Turn My World Around (1993) The Story of My Life (1997) Sing It! (1998) My Heart's in Memphis: The Songs of Dan Penn (2000) After the Rain (2006) Two Phases of Irma Thomas (2007)

  5. Irma Thomas is an American singer from New Orleans. She is known as the "Soul Queen of New Orleans". Thomas is a contemporary of Aretha Franklin and Etta James, but never experienced their level of commercial success.

  6. アーマ・トーマス(Irma Thomas, 1941年 2月18日 - )は、アメリカ合衆国のソウル、R&B シンガー。 ルイジアナ州 ニューオーリンズを代表するシンガーのひとりで、「ニューオーリンズのソウル・クイーン (Soul Queen Of New Orleans)の愛称でも知られている。

  7. 28. März 2007 · Irma Thomas is still active, playing concerts and recently winning a Grammy in the blues nomination, but this one is a compilation of her tracks from the 60s. The special 60s sound is probably what makes them so appealing to me. These cuts were recorded when the earlier styles just started coming together - you can hear jazz and jump blues, Spector-ish girl pop (check out the backing vocals ...