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Directed by. Wim Wenders. West Germany, Austria, 1972. Drama. 103. Synopsis. Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre.
The Goalie’s Anxiety at the Penalty Kick. The goalkeeper Josef Bloch (Arthur Brauss) is sent off after committing a foul during an away game. This causes him to completely lose his bearings. He wanders aimlessly through the unfamiliar town, spends the night with the box-office attendant of a movie theater (Erika Pluhar), and strangles her the ...
Directed by Wim Wenders • 1972 • West Germany. Starring Arthur Brauss, Kai Fischer, Erika Pluhar. Adapted from a novel by Nobel Prize winner Peter Handke, Wim Wenders’s first theatrical feature crosses Hitchcock with Kafka for an arresting study of existential ennui, violence, and the lure of American culture in postwar Europe.
23. März 2018 · The Goalie's Anxiety at the Penalty Kick (Die Angst des Tormanns beim Elfmeter) Directed by Wim Wenders. With Arthur Brauss, Kai Fischer, Erika Pluhar. West Germany/Austria, 1977, DCP, color, 101 min. German with English subtitles. DCP s ...
The Goalie's Anxiety at the Penalty Kick rests upon routines, and gestures, and rituals; upon uncertainty, and desperation, and fear. In these ways, and despite the immense differences between their lead characters and situations, Wim Wenders' 1972 film nevertheless feels like a time-traveling, phantom reflection of Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, which ...
5. Nov. 1975 · Is The Goalie’s Anxiety at the Penalty Kick (1975) streaming on Netflix, Disney+, Hulu, Amazon Prime Video, HBO Max, Peacock, or 50+ other streaming services? Find out where you can buy, rent, or subscribe to a streaming service to watch it live or on-demand. Find the cheapest option or how to watch with a free trial.
The Goalie's Anxiety at the Penalty Kick rests upon routines, and gestures, and rituals; upon uncertainty, and desperation, and fear. In these ways, and despite the immense differences between their lead characters and situations, Wim Wenders' 1972 film nevertheless feels like a time-traveling, phantom reflection of Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, which ...
