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Cindy Sherman’s Untitled Film Stills comprises of over seventy black and white photographs made between 1977 and 1980. When thinking about this series, some aspects of her entire body of work immediately come to mind: disguise and theatricality, mystery and voyeurism, melancholy and vulnerability.
26. Juni 2019 · In Shermans „Untitled Film Stills“ wird eine weibliche Protagonistin aus einem Film präsentiert, von dem man glaubt, ihn gesehen zu haben. In einer Aufnahme spielt sie die junge Karrierefrau in einem schlichten neuen Anzug an ihrem ersten Tag in der Großstadt.
Cindy Sherman’s Untitled Film Stills is a suite of 70 black-and-white photographs made over the course of three years in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and 60s Hollywood, film noir, B movies ...
Untitled Film Stills is a series of black and white photographs by American visual artist Cindy Sherman predominantly made between 1977 and 1980, which gained her international recognition. Sherman casts herself in various stereotypical female roles inspired by 1950's and 1960's films.
Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife.
In this regard, acclaimed art historian Rosalind Krauss has described Untitled Film Stills as ‘copies without originals’. Sherman’s stills are not presented as cinematic shots from a film but mimic instead in visual content, composition, and format, the staged pictures distributed to promote films. Like for classical sculpture, the ...
3. Sept. 2020 · Untitled film stills. by. Sherman, Cindy. Publication date. 1998. Topics. Sherman, Cindy, Photography, Artistic. Publisher. London : Schirmer Art Books.
Untitled Film Still #21. Between 1977 and 1980 Sherman photographed herself in a series of sixty-seven scenarios staged to suggest the cinematic tropes of midcentury Hollywood. Here, she assumes the guise of the Hitchcockian "career girl" alone on the streets of the big city.
Cindy Sherman American. 1979. Not on view. A lone woman on an empty highway peers around the corner of a rocky outcrop. She waits and waits below the dramatic sky. Is it fear or self-reliance that challenges the unnamed traveler? Does she dread the future, the past, or just the present?
Cindy Sherman's Untitled Film Stills, a series of black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative, and searching, this lively catalogue of female roles inspired by the movies touches a vital nerve in our culture.
