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Tarantula is an experimental prose poetry collection by Bob Dylan, written in 1964 and 1965. It was published in 1971. It employs stream of consciousness writing, somewhat in the style of Jack Kerouac, William S. Burroughs, and Allen Ginsberg. Its style is also reminiscent of Arthur Rimbaud's in A Season in Hell.
Tarantula came about after poet Allen Ginsberg urged Dylan to read Maldoror by the Comte de Lautreamont (pseudonym of Isodore Lucien Ducasse) and A Season in Hell by Arthur Rimbaud, both of them nineteenth-century French surrealist poets and writers.
1. Jan. 2001 · Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution.
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- Tarantula Bootleg editions
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BOB DYLAN TARANTULA, 76 pages. Early bootleg of the advance copy, printed and distributed in the East Village in NY sometime between 1967-1970 by A.J. Weberman. This edition was not stapled: the pages are loose, 38 sheets enclosed in a file folder which is rubber stamped in ink, 'Bob Dylan Tarantula'. The text is printed on one side only, in two co...
Apart from complete bootleg editions, some underground magazines published extracts of Bob Dylan's book:
Below: TARANTULA, by BobDylan, Macmillan, 1966 uncorrected proof, 68 pages. These proofs - of which only "a few copies" were produced, according to publisher Macmillan's press release - are dated 3 July, 1966 ("376"). A copy, offered for sale ($10,000) in November 2013 wears "pub. date: August 1966 Price: $3.95 (tent.)" in holograph ink at the top ...
23. Juni 2008 · Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and offers unique insight into Dylan's creative evolution,...
Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan’s creative evolution. ‘The good samaritan coming in with the words “round & round we go” tattoed on his cheek / he tells the senator to stop insulting the lawyer.’
Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and...
