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The Memphis Horns was an American horn section, made famous by their many appearances on Stax Records. The duo consisted of Wayne Jackson on trumpet and Andrew Love on tenor saxophone. An "offshoot of the Mar-Keys ", they continued to work together for over 30 years. [1] They lent their sound to 83 gold and platinum awards and over one hundred ...
The Memphis Horns waren eine Bläsersektion, die vor allem in den 1960er und '70er Jahren als Backing Band verschiedener Soul-Interpreten, in erster Linie bei dem Label Stax Records, bekannt wurde. Die einzigen konstanten Mitglieder waren der Trompeter Wayne Jackson und der Tenorsaxophonist Andrew Love .
Wayne Lamar Jackson (November 24, 1941 – June 21, 2016) was an American soul and R&B musician, playing the trumpet in The Mar-Keys, in the house band at Stax Records and later as one of The Memphis Horns, described as "arguably the greatest soul horn section ever".
Profile: American horn section made famous by their backing of virtually all of Stax Records recordings with horn work. Originally a sextet led by Wayne Jackson and Andrew Love, the Memphis Horns eventually became a duo with Wayne Jackson (trumpet) and Andrew Love (tenor sax).
Kurzbeschreibung und Kinoprogramm München. Von Autos und Menschen – Kritik von Wolfgang Lasinger zum Film »One of These Days«, R: Bastian Günther. artechock – das Münchner Filmmagazin.
19. Juni 2014 · In 1969, Jackson and Love struck out on their own, forming The Memphis Horns as a floating horn section for anyone who needed “that fat Memphis sound” which was, in large part, created by the duo. “That’s what designates Stax Records, is the horn sound,” Wayne laments.
As a horn section for hire, the Memphis Horns would add their signature “fat Memphis sound” to hit tracks from fellow Bluff City legends like Elvis Presley (“Suspicious Minds”), Al Green (“Let’s Stay Together”), and Ann Peebles (“I Can’t Stand the Rain”), as well as to records from non-Memphians like the Doobie Brothers ...
