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  1. The Rolling Stones bassist Bill Wyman, a friend of both Hillman and Stills who visited Criteria during the sessions, was an early fan of the band, at one point expressing an interest in joining. Wyman contributed to the sessions by helping Stills re-write an unrecorded song from 1968, "Bumblebee," as the blues/funk tune "The Love ...

  2. Bill Wyman - bass (on "The Raven" and "The Wilderness") Roger Bush - acoustic bass (on "The Raven" and "The Wilderness") Byron Berline - fiddle; Malcolm Cecil - Expanded Series III Moog synthesizer programming; Technical. The Albert Brothers - engineers; Stephen Stills, Ira H. Wexler - cover design; Ira H. Wexler - photography

    Date
    City
    Country
    Venue
    21 March 1972
    Bremen
    Germany
    Beat Club (German TV)
    22 March 1972
    Amsterdam
    Netherlands
    23 March 1972
    Frankfurt
    Germany
    25 March 1972
    London
    England
    Big Beat Club
  3. Zusammen mit Charlie Watts, Eric Clapton, Ian Stewart und Steve Winwood begleitete Wyman 1970 Howlin’ Wolf; zu hören auf der Langspielplatte The London Howlin’ Wolf Sessions. 1972 spielte er E-Bass für Stephen Stills auf dessen Album Manassas. 1974 veröffentlichte Bill Wyman sein erstes Solo-Album Monkey Grip; 1976 folgte ...

  4. Doch nicht nur Kritiker und Fans betrachteten Manassas als ein Highlight in der Karriere von Stephen Stills. Auch Stills selbst bezeichnet Manassas als eine seiner besten Arbeiten. [3] Bill Wyman hat angeblich einmal gesagt, er hätte die Rolling Stones verlassen, um bei Manassas spielen zu können.

  5. 17. Jan. 2017 · No wonder Bill Wyman, who co-wrote Love Gangster with Stills and played bass for the track, said he'd leave the Stones to join Manassas. Hillman understood why: "We were always more of a band than people thought. Stills wouldn't have been the same without us, that's for sure. Manassas was the best band Stills ever played in."

  6. 15. Jan. 2023 · There is also a collaboration with Bill Wyman, then bass player for the Rolling Stones. “The Love Gangster,” written by Stills and Wyman has some excellent wah-wah guitar, and Stills’ vocals reach hard. But there’s also strange paranoia in the lyric: one moment he’s talking about how everyone is crazy for his girl; the next ...

  7. 9. Feb. 2011 · Side Three ended with The Love Gangster (co-written by and featuring Bill Wyman on bass) which rockingly segued into Side Four.