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  1. nationaljazzarchive.org.uk › interviews › 1635310-ben-websterBen Webster - National Jazz Archive

    A tender, gentle man at his best, he was a legendary drinker which sometimes resulted in dangerous and unpredictable moods. But his legacy on records is one of the finest contributions to jazz, his unique playing usually full of emotion, power and sensitivity. Biography by Roger Cotterrell.

  2. 26. März 2022 · Ben Webster: In Norway. by Chris Mosey September 10, 2013. Ben Webster refused to fly. When he visited Norway from Denmark, his adopted homeland, he went by boat and when he got there would blame his somewhat uncertain gait on his “sea legs," rather than the large amounts of alcohol he had consumed in the vessel's bar. Sometimes ...

  3. Visitors of all ages can learn about portraiture through a variety of weekly public programs to create art, tell stories, and explore the museum.

  4. 11. Feb. 2015 · Ben Webster, the forty-nine-year-old tenor saxo­phonist from Kansas City, has for almost twenty years played with a subtle poignancy matched only by such men as Hawkins and Johnny Hodges (from both of whom he learned a good deal), Lucky Thompson, Herschel Evans, and Don Byas.

    • Steven Cerra
  5. Ben Webster, ein Name, der für vieles stand und immer noch steht: ein einfallsreicher Improvisator und ein brillanter Techniker, der selbst noch die Luft zwischen den einzelnen Tönen als bewußtes Stilmittel einsetzte, eine hellauflodernde Stichflamme zunächst und ein unterschwelliges, dafür aber umso intensiver glimmendes Feuer später ...

  6. en.wikipedia.org › wiki › Ben_WebsterBen Webster - Wikipedia

    Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. [1] Career. Early life and career. A native of Kansas City, Missouri, [1] he studied violin, learned how to play blues on the piano from Pete Johnson, and received saxophone lessons from Budd Johnson. [2] .

  7. 8. Dez. 2013 · Ben Webster (1909 – 1973) was one of the greatest tenorsax players ever, rising slowly through the 1930s, then joined the Duke Ellington orchestra in late 1939, contributing to its renaissance and establishing himself as major tenorsax and jazz voice for the coming thirty years …