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  1. Wilson Pickett – vocals; Albert "Junior" Lowe (tracks 1,2,4-6,12), Donald Dunn (tracks 3,7-11) – bass guitar; Steve Cropper (tracks 3,7-11), Jimmy Johnson (tracks 1,2,4-6,12), Chips Moman (tracks 1,2,4-6,12) Tommy Cogbill (tracks 1,2,4-6,12) – guitar; Isaac Hayes (tracks 3,8-11), Spooner Oldham (tracks 1,2,4-6,12), Joe Hall ...

  2. View credits, reviews, tracks and shop for the 1993 CD release of "The Exciting Wilson Pickett" on Discogs.

    • (13)
    • 8
  3. Explore the tracklist, credits, statistics, and more for The Exciting Wilson Pickett by Wilson Pickett. Compare versions and buy on Discogs.

    • (630)
    • Funk / Soul
    • 345
    • Rhythm & Blues, Soul
  4. Wilson Pickett – The Exciting Wilson Pickett (2007, CD) - Discogs. Tracklist. Hide Credits. Credits. Baritone Saxophone – Floyd Newman. Bass – Donald "Duck" Dunn ( tracks: 3, 7 to 11), Tommy Cogbill ( tracks: 1, 2, 4 to 6, 12) Design [Cover] – Haig Adishian. Drums – Al Jackson * ( tracks: 3, 7 to 11), Roger Hawkins ( tracks: 1, 2, 4 to 6, 12)

    • 1
    • CD, Album, Reissue, Remastered
    • Japan
    • Atlantic-WPCR-25233
  5. 10. Feb. 2023 · ‘The Exciting Wilson Pickett’: An Explosive Southern Soul Album - Dig! Ian McCann. 10 February 2023. Na, na-na-na-na, na-na-na-na, na na na, na na na, na-na na nahhh! It’s one of the most exciting opening lines to a song, ever. And it works as the opening salvo on The Exciting Wilson Pickett, too.

    • Ian Mccann
  6. With Wilson Pickett. In the Midnight Hour (Atlantic Records, 1965) The Exciting Wilson Pickett (Atlantic Records, 1966) With David Porter. Victim of the Joke? An Opera (Enterprise Records, 1971) With John Prine. Common Sense (Atlantic Records, 1975) With Otis Redding. Pain in My Heart (Atco Records, 1964) The Great Otis Redding Sings ...

  7. & The MGs, Donald “Duck” Dunn was house bass player at the legendary Soul/R’n’B label, Stax, where his meaty playing helped define one of the most distinctive and enduring sounds in popular music. Among the timeless recordings Dunn held down the bottom end of, are Respect, Dock Of The Bay and I’ve Been Loving You Too Long, by Otis Redding, Wilson Pickett’s In The Midnight Hour, and ...