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  1. www.marccohnmusic.com › bioBio — Marc Cohn

    Raitt, James Taylor, David Crosby, Graham Nash and Patty Griffin all made guest appearances on Cohn’s early records for Atlantic as his reputation as an artist and performer continued to grow. In 1998, Cohn took a decade-long sabbatical from recording, ending in 2007 with Join the Parade.

    • Music

      Work To Do (with Blind Boys of Alabama), Evolution of a...

  2. "Walking in Memphis" is a song written and originally recorded by American singer-songwriter Marc Cohn, for whom it remains his signature song. It received a Song of the Year nomination at the 34th Annual Grammy Awards in 1992, the same year that the 32-year-old Cohn won the Grammy Award for Best New Artist .

    • "Dig Down Deep", "Silver Thunderbird" (live) (reissue)
    • March 1991
  3. Marc Cohn is the debut studio album released in 1991 by American singer-songwriter Marc Cohn. The album peaked at No. 38 on the Billboard 200 Chart. It was RIAA certified gold in 1992 and was certified platinum in 1996. The album peaked at number 31 in Australia and was certified gold there in 1992.

    • February 12, 1991
  4. 13. Aug. 2010 · Marc Cohn, the piano-playing balladeer best known for the adult-contemporary standard “Walking in Memphis,” has just released “Listening Booth: 1970.”

  5. 8. Aug. 2019 · Marc Cohn wrote this song for his self-titled debut album. He was aged 31 when he first recorded the track in 1990. What is the meaning and inspiration behind 'Walking in Memphis'? James Taylor. Picture: Getty. Marc Cohn was first inspired to write the song after a 1985 visit to Memphis, Tennessee.

    • Tom Eames
  6. 26. Juni 2019 · The 1991 hit song "Walking in Memphis" originally by singer and songwriter Marc Cohn poetically recalls his first visit to Memphis—the taproot for some of his treasured, influential musicians like Al Green, Elvis Presley, and Isaac Hayes.

  7. 24. Aug. 2023 · Marc Cohn was a 28-year-old session musician, hoping for his big break. In a moment of self-doubt, he began to fret that his songs would never make the big time because they didn’t contain the spark of genius of, say, a James Taylor or a Jackson Browne.