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Lucrezia Donati (* 1447 in Florenz; † 1501 ebenda) war eine italienische Adelige und platonische Liebe von Lorenzo de’ Medici (1449–1492), dem Stadtherren von Florenz. Inhaltsverzeichnis. 1 Leben. 2 Darstellung in der Kunst. 2.1 Bildende Kunst. 2.2 Roman. 2.3 Film. 3 Literatur. 4 Weblinks. 5 Einzelnachweise. Leben. Palazzo Donati in Florenz.
Lucrezia Donati (Florence, Italy; 1447-ibidem, 1501) was an Italian noblewoman, mistress of Lorenzo de' Medici. [1] The identity of the woman in the sculpture Dama col mazzolino , at Bargello Museum in Florence could be attributed to Lucrezia Donati.
Lucrezia Donati ( Firenze, ... pre 1447 – Firenze, 1501) è stata una nobile italiana vissuta nel XV secolo ed amata da Lorenzo de' Medici . Stemma della famiglia Donati. Indice. 1 Biografia. 2 Lucrezia Donati nella cultura di massa. 3 Note. 4 Bibliografia. 5 Altri progetti. 6 Collegamenti esterni. Biografia.
Lucrezia Donati was an Italian noblewoman and was born in Florence. She was accounted as the most beautiful and sophisticated woman of the city among people, and was Lorenzo the Magnificent's mistress. Her husband Niccolò Ardinghelli was a merchant who usually stayed in Constantinople to trade.
Lucrezia Tornabuoni (Sarah Parish) Sarah Parish spielt die Rolle von Lucrezia Tornabuoni in der Serie «Die Medici - Herrscher von Florenz». Lucrezia Donati (Alessandra Mastronardi)
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- Die Medici-Herrscher von Florenz
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Lucrezia Donati was one of the mistresses of the Medici, perhaps, one of Lorenzo the Magnificent's who had the longest tenure. She is immortalized here by Verrocchio as Woman with a Bouquet. An absolutely extraordinary work in particular because, and this is what the Florentines admired the most, the beauty of her hands.
This article explores the lives of women who were involved in irregular relationships in late medieval and Renaissance Florence. It contrasts the idealised image of the Beloved in poetry and art with the reality of the mistress, and uses primary and secondary sources to examine their social and legal status.
