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Livealbum von Art Blakey Quintet Veröffent-lichung(en) 1954. Aufnahme 21. Februar 1954 Label(s) Blue Note: Format(e) LP, CD Genre(s) Jazz. Titel (Anzahl) 10 bzw. 15 Besetzung Trompete: Clifford Brown; Altsaxophon: Lou Donaldson; Piano: Horace Silver; Bass: Curly Russell; Schlagzeug: Art Blakey; Produktion. Alfred Lion. Studio(s) Live im Birdland
Art Blakey Quintet. Clifford Brown – trumpet; Lou Donaldson – alto saxophone; Horace Silver – piano; Curley Russell – bass; Art Blakey – drums; Technical personnel Original. Alfred Lion – producer; Rudy Van Gelder – recording engineer, mastering; Francis Wolff – photography; Reid Miles, John Hermansader – cover design
Art Blakey Quintet. Clifford Brown – trumpet; Lou Donaldson – alto saxophone; Horace Silver – piano; Curley Russell –bass; Art Blakey – drums; Technical personnel. Rudy Van Gelder – engineer, mastering; Alfred Lion – producer; Reid Miles – cover design; Francis Wolff – photography; References
7. Sept. 2021 · Blakey is accompanied by trumpet prodigy Clifford Brown (who was tragically killed in a car accident two years after this recording), Lou Donaldson on alto, Horace Silver piano and Curley (aka Curly) Russell on bass. It’s regarded by many as one of Blakey’s best line-ups.
Art Blakey & Clifford Brown – New York City, Birdland Club, February 21, 1954. More images. Tracklist. Credits (5) Lou Donaldson. Alto Saxophone. Curley Russell * Bass. Art Blakey. Drums. Horace Silver. Piano. Clifford Brown. Trumpet. Notes. Compilation from: Art Blakey Quintet - A Night At Birdland, Volume 1.
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6. Feb. 2024 · Although he played with Art Blakey, Clifford Brown and Horace Silver in a band that would eventually become the Jazz Messengers, he knew his mind and his sound, and only rarely played as a sideman. Donaldson’s first run of recordings for Blue Note were bop. Albums like “Blues Walk” and “Sunny Side Up” were well-versed in blues idioms.
In 1953, he also recorded sessions with the trumpet virtuoso Clifford Brown, and with Philly Joe Jones. He was a member of Art Blakey's Quintet for the seminal hard bop recording sessions at Birdland on February 21, 1954, which would yield the A Night at Birdland albums for Blue Note Records.
