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  1. Guitar, vocals. Years active. 1964–present. William Murray Bremner (born 4 August 1946, in Aberdeen, Aberdeenshire, Scotland) is a Scottish guitarist, best known for his work in the band Rockpile and on many of Nick Lowe and Dave Edmunds ' albums.

  2. William „Billy“ John Bremner (* 9. Dezember 1942 in Stirling, Schottland; † 7. Dezember 1997 in Doncaster, England) war ein schottischer Fußballspieler. Als langjähriger Mannschaftskapitän von Leeds United in den 1960er und 1970er Jahren wurde er sowohl in die Ruhmeshalle für schottische Sportler ( Scottish Sports Hall of Fame) als ...

  3. But though the tunes are her solidest yet, Don Was's Billy Bremner guitar and Jellyfish harmonies don't set them off any more clearly than Tony Brown's neoclassical taste did. That's mostly because Willis's idea of a good lyric is a simple lyric. No wordplay, no narrative, no trenchant details--just the musical statement, alive and direct.

  4. “Singled Out” is the cream of the crop, the best singles sides most representing the Billy Bremner sound. The second focus is Bremner’s songwriting as all but three of the songs on this compilation are written or co-written by Bremner.

  5. 19. Okt. 2018 · Singled Out by Billy Bremner on Cherry Red. One of the great sidemen in Rock, known especially for Rockpile, Pretenders, Nick Lowe, Dave Edmunds, to which you can add scores of sessions for the likes of Elvis Costello, Carlene Carter, Shakin Stevens, Any Trouble, Phil Everly, Pat McLaughlin, Kelly Willis, Rosie Flores and many more.

    • Billy Bremner
  6. 9. Juli 2008 · We formed to do a one-off tour opening for Bad Company. They were on Swan Song like [Dave] Edmunds. We achieved a lot in four years but mainly, the respect we gained from both musicians and public. PCP: It’s my understanding that a Rockpile film, Born Fighters, was made during the duel recording sessions for Nick Lowe’s Labour of Lust and ...

  7. But though the tunes are her solidest yet, Don Was's Billy Bremner guitar and Jellyfish harmonies don't set them off any more clearly than Tony Brown's neoclassical taste did. That's mostly because Willis's idea of a good lyric is a simple lyric. No wordplay, no narrative, no trenchant details--just the musical statement, alive and direct. OK ...