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Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée, based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994.
- Jacques Derrida, Eric Prenowitz
- 1995
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- JACQUESDERRIDA
- EXERGUE
- Son who is dear to me, Shelomoh.In the seventh in the days of the years ofyour life the Spirit of the Lord began to moveyou and spoke withinyou: Go, read my
- PREAMBLE
- FOREWORD
- POSTSCRIPT
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Let us not begin at the beginning, nor even at the archive. But ratherat the word "archive"-and with the archiveof so familiara word.Arkhe we recall, namesat once the commencementand the commandment. This nameapparently coordinates two principlesin one: the principleaccording to natureor history,there where things commence-physical, historical,or o...
According to a proven convention, the exergue plays with citation. To cite before beginning is to give the key throughthe resonanceof a few words, the meaning or form of which ought to set the stage. In other words, the exergue consists in capitalizingon an ellipsis. In accumulatingcapital in advance and in preparingthe surplus value of an archive....
2. Yerushalmi,whoparticipated in this conference,was to have been at this lecture. As he was sick, he could not be present, and his own contributionwas read by someone else the next day. 3. I decidedI should makethisprudent addition ("at least byfigure") after a friendly talk with Yerushalmi, who, several monthslater in New York,correctly warnedme ...
I undoubtedlyowe you, at the beginning of this preamble,a first explication concerning the word impression,which risks, in my title, being somewhatenigmatic. I became aware of this afterward: when ElisabethRoudinesco asked me on the telephonefor a provisional title, so as indeed to send the programof this conference to press, almost a year before i...
It is thus our impression that we can no longer ask the question of the concept, of the history of the concept, and notablyof the concept of the archive.No longer, at least, in a temporal or historicalmodality dominated by the presentor by the past. We no longer feel we have the right to ask questions whose form, grammar,and lexicon nonetheless see...
By chance, I wrote these last words on the edge of Vesuvius, rightnear Pompeii, less than eight days ago. Each time I returnto Naples, since more than twenty years ago, I think of her. Who better than Gradiva,I said to myself this time, the Gradiva of Jensen and of Freud, could illustratethis outbidding in the mal d'archive? Illustrateit where it i...
A lecture by Derrida on the concept of the archive, its origins, meanings, and implications. He explores the links between the Greek arkhe, the Latin archivum, and the Freudian mal d'archive, and the role of the archive in law, history, and memory.
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19. Feb. 2018 · This web page offers a detailed analysis of Jacques Derrida's essay Archive Fever, which explores the concept of the archive and its relation to memory, power and technology. It also critiques Derrida's approach and argues for a more nuanced understanding of the archive in the digital age.
In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving.
Archive Fever: A Freudian Impression. In his latest work, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology - all fruitfully...
1. Jan. 2001 · In Archive Fever , Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving.
Derrida'senterprise inArchive Fever is, I believe, rooted in two related assumptions concerning the relevance of Freud to questions of the archive. The first is that the psychoanalytic archive in particular, dom inated as it is by what Derrida calls the 'signature' of Sigmund Freud,
