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1. de.wikipedia.org › wiki › Jacques_CopeauJacques Copeau – Wikipedia

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   Jacques Copeau (* 4. Februar 1879 in Paris; † 20. Oktober 1949 in Beaune) war ein französischer Theaterleiter, Schauspieler, Kritiker und Dramatiker.

2. fr.wikipedia.org › wiki › Jacques_CopeauJacques Copeau — Wikipédia

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   Jacques Copeau, né le 4 février 1879 à Paris et mort le 20 octobre 1949 à Beaune, est une personnalité d'importance majeure dans le monde intellectuel et artistique français de la première moitié du XX e siècle, principalement dans le domaine du théâtre.

3. en.wikipedia.org › wiki › Jacques_CopeauJacques Copeau - Wikipedia

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   Jacques Copeau ( French: [kɔpo]; 4 February 1879 – 20 October 1949) was a French theatre director, producer, actor, and dramatist.

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5. www.britannica.com › biography › Jacques-CopeauJacques Copeau | Theatre du Vieux-Colombier, Paris | Britannica

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   Jacques Copeau (born Feb. 4, 1879, Paris, Fr.—died Oct. 20, 1949, Beaune) was a French actor, literary critic, stage director, and dramatic coach who led a reaction against realism in early 20th-century theatre.

   • Autor: The Editors of Encyclopaedia Britannica

6. kvl.cch.kcl.ac.uk › THEATRON › biographysWho was Copeau? - KVL

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   Jacques Copeau. Portrait of Jaques-Dalcroze. Copeau’s family belonged to French lower middle class. By hard work and prudent life, they managed to increase their social status and their welfare.

7. www.encyclopedia.com › theater-biographies › jacques-copeauJacques Copeau | Encyclopedia.com

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   23. Mai 2018 · The theorist, director, and actor Jacques Copeau (1879-1949) established the Vieux Colombier—one of the most important theaters of the 20th century—in Paris to put his theories of theater reform into practice.

8. www.lassaad.com › gb › original-teachingOriginal teaching - École LASSAAD

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   Jacques Copeau. He founded his school « Vieux Colombier » in Paris in 1913. This reformer of dramatic art created his school with the objective for his pupils to unlearn the tricks of commercial theatre and the techniques of the conservatoire. He promoted physical training, an approach to movement, improvisation, mask play, text analysis.