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  1. Margaret Webster (March 15, 1905 – November 13, 1972) was an American-British theater actress, producer and director. Critic George Jean Nathan described her as "the best director of the plays of Shakespeare that we have."

  2. Webster, Margaret (1905–1972) American actress and director who devoted her career to bringing theater, particularly Shakespeare, to the greater public. Name variations: Peggy Webster. Born on March 15, 1905, in New York City; died on November 13, 1972, in London, England; only child of Benjamin Webster III (an actor) and Mary Louisa (Whitty) ...

  3. Download Free PDF. View PDF. In the 1940s, Margaret Webster directed Paul Robeson, the first American black man to play the role of Othello on Broadway. Her production went on to be the longest running Shakespeare play in history. Many considered her the best Shakespeare.

    • Kelly B Nelsen-Pedersen
  4. 14. Nov. 1972 · LONDON, Nov. 13Margaret Webster, the actress and stage director, died here tonight at the age of 67. Last of a Dynasty. Miss Webster was the last member of a 150‐year‐old English...

  5. Margaret Webster. (1905—1972) actress and theatre director. Quick Reference. (1905–72) English director. She began as a performer for Greet's company and at the Old Vic. Her first directorial triumph was Richard II in New York, starring Maurice Evans (1937). ... From: Webster, Margaret in The Oxford Companion to Theatre and Performance »

  6. Margaret Webster was born on 15 March 1905 in New York City, New York, USA. She died on 13 November 1972 in St. Christopher's Hospice, Sydenham, London, England, UK. Born March 15, 1905. Died November 13, 1972 (67) Add photos, demo reels. Add to list. Known for: Camera Three. 7.6. TV Series. Self. 1963–1967 • 3 eps. Don Carlo. TV Movie. Self. 1950.

  7. Margaret Webster: A Life in the Theater is an engrossing backstage account of the life of pioneering director Margaret Webster (1905-72). This is the first book-length biography of Webster, a groundbreaking stage and opera director whose career challenged not only stage tradition but also mainstream attitudes toward professional women.