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  1. Leben. Robbie Ryan wurde am Institute of Art, Design & Technology in Dún Laoghaire ausgebildet und ging 1993 nach seinem Abschluss nach England. [1] Seit dieser Zeit wirkt er als Kameramann und arbeitete mit Regisseuren wie Ken Loach und Andrea Arnold oft mehrmals zusammen.

  2. Robbie Ryan (born 1970) is an Irish cinematographer whose work spans over 106 film projects, including feature-length, short films, commercials, and music videos. He is most known for his collaborations with film auteurs such as Andrea Arnold , Sally Potter , Stephen Frears , Ken Loach , Noah Baumbach , Yorgos Lanthimos and Mike Mills .

  3. www.imdb.com › name › nm0752811Robbie Ryan - IMDb

    Robbie Ryan is a prolific and acclaimed cinematographer who has worked on over 90 projects, including Fish Tank, Slow West, American Honey and The Favourite. He was born in Dublin in 1970 and has been nominated for two Oscars for his cinematography.

    • January 1, 1
    • 2 Min.
    • Dublin, Ireland
  4. 6. Juni 2023 · Robbie Ryan, Ireland’s most celebrated cinematographer, finds a perfect spot at the rear of the American Pavilion. Azure sea. Cormorants drying their wings. A bizarre selection of patriotic...

  5. 19. Nov. 2023 · Cinematographer Robbie Ryan talks about his collaboration with director Yorgos Lanthimos on the surrealist Frankenstein film 'Poor Things', starring Emma Stone and Willem Dafoe. He reveals the challenges and joys of working with vintage lenses, sets, costumes and lighting in a vintage world.

    • Will Tizard
  6. Vor 5 Tagen · Most recently, Ryan has shot two contenders for the top prize in Cannes this year, Andrea Arnold’s Bird and Yorgos Lanthimos’s Kinds of Kindness. Before he scored Oscar nominations for his work on Lanthimos’s The Favourite (2018) and Poor Things (2023), Ryan was probably best known for his collaboration with Arnold, which began with Wasp ...

  7. 27. Feb. 2024 · Robbie Ryan, the cinematographer of 'Poor Things', talks about his collaboration with director Yorgos Lanthimos and the challenges of shooting in different locations and colors. He reveals how they used natural lighting, zoom lenses, Ektachrome and practical effects to create the film's visual style.