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Jiang Wen (born 5 January 1963) is a Chinese actor, screenwriter, and director. As a director, he is sometimes grouped with the "Sixth Generation" that emerged in the 1990s. [2] Jiang is also well known internationally as an actor, having starred with Gong Li in Zhang Yimou 's debut film Red Sorghum (1986), and more recently as Baze ...
Jiang Wen ist ein chinesischer Schauspieler und Regisseur. Internationale Bekanntheit erlangte er unter anderem durch den Film Rotes Kornfeld des Regisseurs Zhang Yimou und durch Rogue One: A Star Wars Story. Sein jüngerer Bruder Jiang Wu ist ebenfalls Schauspieler.
Jiang Wen is a versatile and acclaimed filmmaker who has worked with Zhang Yimou and starred in Red Sorghum. He is also known for his roles in Devils on the Doorstep, Let the Bullets Fly and The Lost Bladesman.
YearTitleRoleRatingTBAThe Legend Hunters add Chinese Movie, ...Wang Pangzi Main Role0.02021The Curse of Turandot add Chinese Movie, ...Emperor Khan Main Role7.22018Hidden Man add Chinese Movie, 2018, ...Lan Qing Feng Main Role7.42016The Moment: Fifty Years of Golden Horse ...[Himself] Support Role9.5Wen Jiang is a versatile and acclaimed filmmaker who has starred in Rogue One: A Star Wars Story, Let the Bullets Fly and Devils on the Doorstep. He was born in 1963 in Tangshan, China and has two children with his wife Yun Zhou.
- January 1, 1
- 1.82 m
- Tangshan, China
14. Apr. 2021 · Instead of employing a retrospective perspective and posing any judgements or criticism, Jiang Wen engages the memory as someone who experienced the socialist era himself, and personal engagement naturally involves an overflow of emotions.
16. Aug. 2007 · For more than two decades, he has been the face of his country's art-house films, as a director and as China's most famous dramatic actor. He played Gong Li's winemaking paramour in "Red Sorghum ...
11. März 2017 · This chapter explores the signature style of Jiang Wen, a contemporary Chinese film director and actor, who blends historical fantasies, black humour, and social critique in his films. It analyzes his two most recent and successful works, Let the Bullets Fly and Gone with the Bullets, as examples of his \"absurdist\" film genre.
