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Known for. Photography. John Felix Vachon (May 19, 1914 – April 20, 1975) was a world-traveling American photographer. Vachon is remembered most for his photography working for the Farm Security Administration (FSA) as part of the New Deal and for contributions to Look magazine.
John Vachon (1914-1975) was a St. Paul native who became a renowned photographer for the Farm Security Administration and Look magazine. He documented rural poverty, war, and postwar conditions around the world with a distinctive style and perspective.
John Vachon (1914-1975) was a documentary photographer who captured the social and economic changes in the United States during the Great Depression and World War II. He worked for the Farm Security Administration, the Office of War Information, and Life magazine, and his works are featured in MoMA's online collection and exhibitions.
John Vachon (1914 - 1975) was an American documentary photographer who worked for the FSA and Look magazine. Learn more about his life, work, and archived items at the International Center of Photography.
JOHN VACHON: Yes, quite a bit before I transferred out of there. After about a year, I guess my position was elevated: I got a -- I guess it was then called "Assistant Clerk," or whatever these government titles are --and I became the one who was in charge of the classification of the files, although . . . the way it was eventually organized took some time, maybe a year or more before I had ...
Photographer: John Vachon. Omaha, Nebraska, November 1938 Farm Security Administration, Lot 412. John Vachon's first job at the Farm Security Administration carried the title "assistant messenger." He was twenty-one, and had come to Washington from his native Minnesota to attend Catholic University of America. Vachon had no intention of ...
Overview. John Vachon. (1914—1975) Quick Reference. (1914–75), American documentary photographer, becoming so by accident. A student at Catholic University in Washington, DC, he joined the Farm Security Administration (FSA) in 1936 as a messenger and file ... From: Vachon, John in The Oxford Companion to the Photograph »
