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  1. Robert Christgau is a legendary rock critic and public intellectual. His newsletter And It Don't Stop features his Consumer Guide, Xgau Sez, Book Reports, and more.

    • Consumer Guide

      The Consumer Guide database has graded 17916 albums from...

    • User's Guide

      Duds simply list records unworthy of further comment. I also...

    • Grades 1990

      Key to Icons. An A+ is a record of sustained beauty, power,...

    • Books

      Robert Christgau has earned his place as America's foremost...

  2. Robert Christgau ist ein US-amerikanischer Essayist und Musikjournalist. Christgau ist einer der ersten professionellen Rockmusik-Kritiker und für seine kurzen, prägnanten Kritiken bekannt. Er bezeichnete sich selbst als „Dean of American Rock Critics“.

  3. Robert Thomas Christgau (/ ˈ k r ɪ s t ɡ aʊ / KRIST-gow; born April 18, 1942) is an American music journalist and essayist. Among the most well-known [1] and influential music critics, [2] he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical ...

  4. Browse and search the database of 17916 albums rated by Robert Christgau, a prominent music critic and author. Find reviews by artist, label, year, grade, or title.

  5. Robert Christgau published his Consumer Guide: March, 2023: From the UK, a trustworthy superstar. From Canada, shoegazing power-pop. From Brazzaville, rhythms that rock as much as they roll. And from an ex-fundamentalist, courage, idealism, and self-sacrifice. Reviews of: Adele, Alvvays, Balka Sound, Robert Sarazin Blake, Built to Spill, Iris ...

  6. 10. Nov. 2021 · Find out the latest news, reviews, and opinions of Robert Christgau, the Dean of American Rock Critics. Subscribe to his newsletter And It Don't Stop on Substack and explore his books, archives, and q&a sections.

  7. The veteran rock critic ranks his favorite albums of the year, from Beyoncé's Renaissance to Rosalía's Motomami, and compares them with other publications' lists. He also reflects on the state of rock criticism in the digital age and the generational divide among artists and listeners.