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  1. Charles Brackett (* 26. November 1892 in Saratoga Springs, New York; † 9. März 1969 in Los Angeles, Kalifornien) war ein US-amerikanischer Drehbuchautor. Leben. Brackett begann seine schriftstellerische Tätigkeit zunächst als Theaterkritiker.

  2. Charles William Brackett (November 26, 1892 – March 9, 1969) was an American screenwriter and film producer. He collaborated with Billy Wilder on sixteen films. Life and career. Brackett was born in Saratoga Springs, New York, the son of Mary Emma Corliss and New York State Senator, lawyer, and banker Edgar Truman Brackett.

  3. Charles Brackett (* 26. November 1892 in Saratoga Springs, New York; † 9. März 1969 in Los Angeles, Kalifornien) war ein US-amerikanischer Drehbuchautor.

  4. Charles William Brackett (November 26, 1892 – March 9, 1969) was an American novelist, screenwriter, and film producer. He collaborated with Billy Wilder on sixteen films. Brackett was born in Saratoga Springs, New York, the son of Mary Emma Corliss and New York State Senator, lawyer, and banker Edgar Truman Brackett.

  5. Biography. Awards. Trivia. FAQ. IMDbPro. All topics. Charles Brackett (1892-1969) Writer. Producer. IMDbPro Starmeter See rank. Charles Brackett, born in Saratoga Springs, New York, of Scottish ancestry, followed in his attorney-father's footsteps and graduated with a law degree from Harvard University in 1920.

    • January 1, 1
    • Saratoga Springs, New York, USA
    • January 1, 1
    • Los Angeles, California, USA
  6. In Billy Wilder: Early life and work. …former New Yorker theatre critic Charles Brackett. After first collaborating on Ernst Lubitsch’s Bluebeard’s Eighth Wife (1938), they wrote such romantic-comedy gems as Mitchell Leisen’s Midnight (1939), Lubitsch’s Ninotchka (1939), and Howard Hawks’s Ball of Fire (1941).

  7. 16. März 2021 · As Zolotow aptly noted, “The Victorian façade of Elizabeth and Charles Brackett’s mansion concealed a Victorian tragedy.” Quoted in “Introduction,” It’s the Pictures, 12. 20 For the pressures on Brackett and Wilder and the reluctance of Paramount Pictures to fund The Lost Weekend, see, for example, Entry, November 20, 1944, in It’s the Pictures, 256 (Jackson).