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  1. en.wikipedia.org › wiki › Billy_MohlerBilly Mohler - Wikipedia

    Billy Mohler is a Grammy-nominated producer, songwriter, and multi-instrumentalist. He was raised in South Orange County and is Bill Medley's (of the Righteous Bros.) godson. He attended and graduated from Berklee College of Music where he studied electric bass and acoustic bass.

  2. Bio. Billy Mohler is an exploratory jazz bassist who has also amassed wide-ranging credits in the pop world as a GRAMMY-nominated writer, producer, multi-instrumentalist and session player, working with Dolly Parton, Macy Gray, Lady Gaga, Nile Rogers, Sia, Awolnation, Mavis Staples, Kelly Clarkson, Steven Tyler, Jon Brion and a host of others.

  3. Bass. Billy Mohler (2000–2002) Schlagzeug. Nate Wood (2000–2002) The Calling ist eine Rockband, die in Los Angeles ( Kalifornien) von Alex Band und Aaron Kamin gegründet wurde. Der Bandname basiert auf der retrospektiven Betrachtung des bisherigen Karrierewegs und des Glaubens, dass ihre Musik eine Berufung sei.

  4. Billy Mohler is a Grammy Nominated writer, producer, and multi-instrumentalist. Mohler is a graduate of the Berklee College of Music, Boston, MA. He studied Jazz Performance. Mohler was one of five people selected to join the prestigious Thelonious Monk Institute of Jazz.

  5. 25. Mai 2021 · By mid-2002, they had a 23-week Adult Top 40 No. 1 with the heartfelt hit “Wherever You Will Go.”. In 2003, they were sued by former bandmates. And by the end of 2005, The Calling had almost ...

  6. Armin Mohler (* 12. April 1920 in Basel; † 4. Juli 2003 in München; Pseudonyme: Nepomuk Vogel, Anton Madler, Michael Hintermwald [1], Scribifax [2]) war ein Schweizer Publizist, Schriftsteller und Journalist. Mohler gilt als Begründer und Apologet der „ Konservativen Revolution “ sowie als einer der Vordenker und Netzwerker der Neuen Rechten .

  7. www.jazzword.com › reviews › billy-mohlerBilly Mohler | Jazzword

    Still, the Mohler’s preserved pulse keep the track’s horizontal evolution engaged and powerful. Speed’s lightly vibrated trills that with overblowing turn to irregular vibrations are most prominent on “Exit”. Where they’re extended with programmed shooshes Yet once harmonized with Endsley’s half-valve effects they lead to a quieter ending. As for Wood, moving among backbeats ...