2000
Suchergebnisse
Suchergebnisse:
Schon 1923 gründete er sein erstes eigenes Orchester, mit dem er im März 1925 erste Platten aufnahm. Kahn engagierte in seine Band besonders für Plattenaufnahmen bedeutende Jazzmusiker seiner Zeit wie Joe Venuti, Eddie Lang, Artie Shaw, Jack Teagarden, Red Nichols, Miff Mole, Vic Berton und Gene Krupa sowie Dudley Fosdick und ...
The Yacht Party - (1932) Directed by Roy Mack – cast: Roger Wolfe Kahn, Gertrude Niesen, Melissa Mason (contortionist), Eaton Boys, Chauncey Morehouse (drums), Artie Shaw (clarinet). The film is shot on board a yacht and includes Kahn and his Orchestra playing " Way Down Yonder in New Orleans ", " Dinah " and "Lullaby of the Leaves".
0:00 Roger Wolfe Kahn & His Orchestra – My Silent Love3:25 Roger Wolfe Kahn & His Orchestra – I Can't Believe It's True6:35 Adrian Rollini & His Orchestra – ...
In 1932, Shaw joined the Roger Wolfe Kahn Orchestra and made several recordings with the outfit including "It Don't Mean a Thing (If It Ain't Got That Swing)" and "Fit as a Fiddle". Leader of bands. In 1935, he first gained attention with his "Interlude in B-flat" at a swing concert at the Imperial Theater in New York.
18. Juli 2019 · Shaw with the Roger Wolfe Kahn Orchestra in 1932 It was the first of many literary projects that Shaw would abandon. Ever the loner, it never occurred to him to contact some of the people who had actually known and worked with Beiderbecke, such as Jimmy MacPartland, Bill Challis, Frank Trumbauer, Vic Berton or Venuti and Lang.
27. Apr. 2019 · Libby Holman has two vocals in 1930 and the four titles from 1932 include some short spots from clarinetist Artie Shaw. This excellent set, which has definitive liner notes, is easily recommended to fans of those players and hot dance music in general. Roger Wolfe Kahn 1925-1932 (Jazz Oracle BDW 8013, 25 selections TT = 78:52) www ...
Aufgewachsen in New Haven, Connecticut, startete er seine Laufbahn ursprünglich als Saxophonist in der lokalen Highschool-Band und begann Anfang der 1930er Jahre seine professionelle Karriere, unter anderem bei Johnny Cavallaro, Roger Wolfe Kahn und 1927–1929 bei Austin Wylie in Cleveland, danach von 1929 bis 1931 bei Irving Aaronson.
