Suchergebnisse
Suchergebnisse:
On her Nonesuch debut, the Tony Award–winning actress performs the work of adventurous young theatre composers Adam Guettel, Michael John LaChiusa, Jason Robert Brown, Jenny Giering, and Ricky Ian Gordon. The New York Times called her singing "magnificent—highly dramatic, tasteful, psychologically acute, heart-rending."
When did Audra McDonald release Way Back to Paradise? Album Credits. Featuring Adam Guettel, Dawn Upshaw & Theresa McCarthy. Producers Tommy Krasker. Writers Adam Guettel, James Agee, Jason Robert ...
Way Back To Paradise. Audra McDonald (soprano), with Dawn Upshaw, Adam Guettel, Theresa McCarthy. Eric Stern. Release Date: 29th Mar 1999. Catalogue No: 7559794822. Label: Nonesuch. Length: 49 minutes. Downloads. What are FLAC and MP3? MP3$12.00. FLAC(CD quality, 44.1 kHz, 16 bit)$15.50. No digital booklet included. Add download to basket.
MCDONALD, Audra: Way Back to Paradise Interpreten: Agee, James, Dichter/Text -- Brown, Jason, Komponist -- Giering, Jenny, Komponist -- Gordon, Ricky Ian, Komponist -- Guettel, Adam, Komponist -- Hughes, Langston, Dichter/Text -- LaChiusa, Michael John, Komponist -- McDonald, Audra, Sopran -- Stern, Eric, Klavier -- Thackeray, William Makepeace ...
Way Back To Paradise. Music By, Lyrics By – Michael John LaChiusa. Vocals [Additional] – Dawn Upshaw. Music By, Lyrics By – Michael John LaChiusa. Vocals [Additional] – Dawn Upshaw. 2:25. 3. Come To Jesus. Music By, Lyrics By – Adam Guettel.
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CD McDonald, Audra - Way Back To Paradise --> Musical CDs, DVDs @ SoundOfMusic-Shop, Musicalalbum mit Kompositionen von Adam Guettel, Jason Robert Brown, Michael John La Chiusa, Ricky Ian Gordon, u. a. Dream Variations Way Back To Paradise Come To Jesus You Don't Know This Man Tom A Tragic Story Song For A Dark Girl Baby Moon The Allure Of ...
This is songwriting in the tradition of Stephen Sondheim – it's cerebral as well as emotional, and it tackles difficult subjects (for example, "Come to Jesus," a duet with composer Adam Guettel, deals with abortion). For the most part, the composers' reach is longer than their grasp, and I don't feel that every experiment from their creative ...
