Suchergebnisse
Suchergebnisse:
Ed Chalpin (January 16, 1935 in NYC – October 1, 2019 in Boca Raton, FL) was a record executive and producer. He is probably remembered for his association with Curtis Knight and the Squires which caused problems for Jimi Hendrix throughout his career.
Due to legal wrangling by Ed Chalpin and PPX, the album was not released in the UK for nearly two more months. When Track Records issued it on June 12, 1970, it quickly entered the British charts , where it remained for 30 weeks and reached number six.
- Jimi Hendrix (listed as Heaven Research)
- March 25, 1970
- January 1, 1970
Hierbei unterzeichnete er einen eine Seite umfassenden Vertrag mit dem Manager Ed Chalpin und PPX Productions, der Hendrix nicht nur für die Knight-Sessions band, sondern die Exklusivrechte für einen Zeitraum von drei Jahren garantierte. Da den gemachten Aufnahmen kein kommerzieller Erfolg beschieden war, trennten sich schon bald ...
- LP, CD
- Capitol Records
- 1970
Ed Chalpin was an entrepreneur and record producer. Born: 16 January 1935, NYC, USA – Died: 1 October 2019, Boca Raton, FL, USA. On October 15, 1965, Chalpin signed a three-year recording contract with Jimi Hendrix and his New York based R&B band, Curtis Knight & The Squires .
In November 1967, Chalpin signed a deal with Capitol Records to release Jimi’s studio recordings with Knight. As 1967 turned to 1968, Capitol released two records in rapid succession— Get That Feeling and Flashing—just in time to compete with The Experience’s second album, Axis: Bold As Love which debuted in January 1968 in the UK.
By late 1967, Track faced a lawsuit from Ed Chalpin and his company PPX Enterprises, based in New York City. Chalpin had signed Hendrix to a three-year exclusive recording contract in October 1965. Chalpin viewed the 1966 Hendrix agreement with Track as a violation of his PPX contract and was later able to claim a large monetary settlement.
The title refers Hendrix's stipulation to producer Ed Chalpin at the beginning of the 1967 session: Hendrix: Edward, can you hear me? In other words, like you can't, you can't use my name for any of this stuff, all right? ... no, serious though, seriously.
