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  1. Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component. Within musical ethnography it is the first-hand personal study of musicking as known as the act of taking part in a musical performance.

  2. Die Musikethnologie, Ethnomusikologie oder Vergleichende Musikwissenschaft ist innerhalb der Musikwissenschaft eine Nachbardisziplin der Historischen Musikwissenschaft und zugleich ein Teilbereich der Ethnologie. Sie untersucht weltweit die klanglichen, kulturellen und sozialen Aspekte von Musik und Tanz. Die englische Bezeichnung ethnomusicology wurde 1950 vom niederländischen Musikethnologen Jaap Kunst programmatisch eingeführt, um in der bis dahin als comparative musicology ...

    • Overview
    • Folklore
    • Comparative Musicology
    • Beginnings and early history
    • 1970s
    • 1980s

    Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component. While the traditional subject ...

    Folklore and folklorists were the precursors to the field of ethnomusicology prior to WWII. They laid a foundation of interest in the preservation and continuation of the traditional folk musics of nations and an interest in the differences between the musics of various nations. Folklorists approached folklore through comparative methods, seeking t...

    Comparative musicology is known as the cross-cultural study of music. Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures and their respective ...

    Ethnomusicology has evolved both in terminology and ideology since its formal inception in the late 19th century. Although practices paralleling ethnomusicological work have been noted throughout colonial history, an Armenian priest known as Komitas Vardapet is considered one of the pioneers to ethnomusicology's rise to prominence in 1896. While st...

    In the 1970s, ethnomusicology was becoming more well known outside of the small circle of scholars who had founded and fostered the early development of the field. The influence of ethnomusicology spread to composers, music therapists, music educators, anthropologists, musicologists, and even popular culture. Ethnomusicology and its academic rigor ...

    The 1980s ushered in a heightened awareness of bias and representation in ethnomusicology, meaning that ethnomusicologists took into consideration the effects of biases they brought to their studies as outgroup members, as well as the implications of how they choose to represent the ethnography and music of the cultures they study. Historically, We...

    • Overview
    • History of SEM
    • Organization
    • Annual Conferences
    • Publications
    • Prizes

    The Society for Ethnomusicology is, with the International Council for Traditional Music and the British Forum for Ethnomusicology, one of three major international associations for ethnomusicology. Its mission is "to promote the research, study, and performance of music in all historical periods and cultural contexts." Officially founded in 1955, ...

    The Society is governed by a Constitution, Board of Directors, Council Members, and stands by its strict Bylaws. There are several standing committees that members can participate, ranging in size from 4-15 members. Some of these committees organize national events, such as the a

    The Society offers Individual and Institution Memberships, which offer benefits and additional resources not available to the public. Individual membership fees are determined by annual income and academic enrollment, but also one-time lifetime memberships are also available. Mem

    The first official SEM meeting was September 2–9, 1956, and since then, the Society of Ethnomusicology has continued to host annual conferences throughout the country and occasionally abroad. Locations for these large-scale gatherings require a host university with a strong ethnomusicology department, hotels that can house the huge number of attend...

    Alongside the Ethnomusicology journal, The Society for Ethnomusicology publishes a variety of works, nearly all of which are peer-reviewed. The SEM website itself serves as a communicative and archival device, enabling members to discuss the latest news, share project updates, and gives digital access to many of the print publications. The SEM webs...

    SEM awards prizes on national, chapter, and sectional levels. These awards are designed to recognize the work of individuals in the field of ethnomusicology. Awards vary in purpose, financial prize, eligibility, where and how often the prize is awarded, and application deadline. For a full list of awards and their descriptions, click here.

    • 18 November 1955
    • 2,500
    • Leben
    • Schriften
    • Literatur
    • Weblinks
    • Einzelnachweise

    Bruno Nettl war der Sohn des österreichisch-ungarischen Musikwissenschaftlers Paul Nettl und der Pianistin Gertrude Hutter (1905–1952). Nettl besuchte zunächst die deutsche Schule im Prager Stadtteil Vinohradyund erhielt eine musikalische Grundausbildung bei seiner Mutter. Seine Eltern mussten auf Grund ihrer jüdischen Herkunft 1939 aus der besetzt...

    Music in Primitive Culture. Harvard University Press, Cambridge 1956
    An introduction to folk music in the United States. Wayne State University Press, Detroit 1960
    Theory and Method in Ethnomusicology.1964
    Attitudes Towards Persian Music in Tehran, 1969. In: Musical Quarterly.Band 56, 1969, S. 183–197.
    Bruno Nettl: Nettl, Bruno. In: Friedrich Blume (Hrsg.): MGG. Band12. Bärenreiter Verlag, 2004, Sp.1005–1006.
    Paula Morgan: Bruno Nettl. In: Stanley Sadie (Hrsg.): The New Grove Dictionary of Music and Musicians. Macmillan, London 1980. Bd. 13, S. 118 f.
    Werner Röder, Herbert A. Strauss (Hrsg.): Biographisches Handbuch der deutschsprachigen Emigration nach 1933 / International Biographical Dictionary of Central European Emigrés 1933–1945. Vol II, 2...
    Bruno Nettl: The Study of Ethnomusicology. Twenty-nine Issues and Concepts. University of Illinois Press, Urbana und Chicago 1983, ISBN 0-252-01039-6, S. 411 (A Note an the Author).
    Literatur von und über Bruno Nettl im Katalog der Deutschen Nationalbibliothek
    Bruno Nettl im Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit(LexM)
    Bruno Nettl: Lessons from the Ostad.
    ↑ School of Music, University of Illinois at Urbana-Champaign: Remembering Bruno Nettl
    ↑ Charles F. Voegelin (1906–1986) siehe englische Wikipedia en:Charles F. Voegelin
    ↑ Society for Ethnomusicology, website
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