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  1. Steven M. Yedlin (* 29. September 1975 in Los Angeles [1]) ist ein US-amerikanischer Kameramann . Inhaltsverzeichnis. 1 Leben. 2 Filmografie (Auswahl) 3 Weblinks. 4 Einzelnachweise. Leben [ Bearbeiten | Quelltext bearbeiten] Yedlin ist seit Mitte der 1990er Jahre im Filmgeschäft tätig.

  2. en.wikipedia.org › wiki › Steve_YedlinSteve Yedlin - Wikipedia

    Steven Mark Yedlin, ASC (born September 29, 1975) is an American cinematographer who studied at the USC School of Cinematic Arts. He is best known for his collaboration with director Rian Johnson in his films. Yedlin is a member of the American Society of Cinematographers since 2015.

    • Cinematographer
  3. www.imdb.com › name › nm0006911Steve Yedlin - IMDb

    Cinematographer: Looper. Steve Yedlin was born on 29 September 1975 in Los Angeles County, California, USA. He is a cinematographer, known for Looper (2012), Knives Out (2019) and Star Wars: Episode VIII - The Last Jedi (2017).

    • Steve Yedlin
    • September 29, 1975
  4. 19. Dez. 2017 · Cinematographer Steve Yedlin, a longtime creative collaborator of director Rian Johnson, describes bringing the latest 'Star Wars' together. By Adam Rosenberg on December 19, 2017. Credit:...

  5. 23. März 2023 · Poker Face. cinematographer Steve Yedlin, a self-taught coder, makes digital video look like celluloid. By Lane Brown, a features writer for New York Magazine. Photo: Peacock. A lot of recent TV ...

    • Lane Brown
    • Features Writer, New York Magazine
  6. Die Dreharbeiten mit Kameramann Steve Yedlin begannen am 28. Juni 2021 auf der griechischen Insel Spetses. Als Außenkulisse des Anwesens von Miles Bron diente eine Ferienvilla im sechs Kilometer entfernten Porto Heli in der Argolis, die gleichzeitig als Übernachtungsmöglichkeit für die Darsteller fungierte.

  7. 29. Nov. 2016 · Steve Yedlin: No. It really came out of necessity. Around 2004, I started to feel that digital was coming and it might get crammed down our throats before it was as good as film. I didn’t necessarily think it was never going to be as good as film, but I didn’t think it was at the time. I was worried that market forces were going to force it ...