Suchergebnisse
Suchergebnisse:
Wall of Sound (englisch für ‚Klangmauer‘) wird in der Musikproduktion die von Musikproduzent Phil Spector ab 1962 in den Gold Star Studios von Hollywood mit seinen Künstlern bis 1966 hergestellte Popmusik bezeichnet, die durch eine hohe Sounddichte und durch intensiven Einsatz von Audioeffekten gekennzeichnet ist und oft mit ...
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew".
1 Bandgeschichte. 1.1 1960er Jahre. 1.2 1970er Jahre. 1.3 1980er Jahre. 1.4 1990er Jahre. 1.5 2000er Jahre. 1.6 Revival, Jubiläum & Abschied. 2 Bandmitglieder. 2.1 Bandzusammenstellung. 2.2 Zeitleiste. 3 Stil. 3.1 Wall of Sound. 4 Erfolge und Auszeichnungen. 5 Fangemeinde. 5.1 Deadheads. 5.2 Bootlegs im Internet. 6 Diskografie. 7 Konzertfilme.
- 1995
- 1965
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion -free sound system that could also serve as its ...
18. Jan. 2021 · Spector revolutionierte in den Sechzigerjahren mit seiner »Wall of Sound« genannten Aufnahmetechnik die Popmusik und schuf Welthits wie »Da Doo Ron Ron«, »You’ve Lost That Loving Feeling«...
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead 's live performances. The largest concert sound system built at that time, the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion -free sound system that could also serve as its own monitoring system.
5. Apr. 2018 · The Wall of Sound is a music production technique for pop and rock music recordings developed by record producer Phil Spector at Gold Star Studios during the 1960s. Spector, working with audio engineers such as Larry Levine, created a dense, layered, and reverberant sound that reproduced well on AM radio and jukeboxes popular in the era.
