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Dayton Burr "Bones" Howe (born March 18, 1933) is an American record producer and recording engineer who scored a string of hits in the 1960s and 1970s, often of the sunshine pop genre, starting in 1965 with The Turtles cover of Bob Dylan's "It Ain't Me Babe," and continuing with most of the hits of the 5th Dimension and the Association.
26. Juli 2023 · How Sarasota’s Bones Howe Helped Shape America's Pop Music Landscape Howe worked with Elvis, the 5th Dimension, Tom Waits and dozens of other pop music luminaries. By Clayton Trutor July 26,...
" One Less Bell to Answer " is a song written by Burt Bacharach and Hal David. Originally written in 1967 for Keely Smith, the song was rediscovered in late 1969 by Bones Howe, the producer for the 5th Dimension, and the song was included on the group's 1970 debut album for Bell Records, Portrait.
- "Feelin' Alright?"
- April 1970
- 1969–1970
- Pop
Howe's list of credits includes literally dozens of Billboard-chart singles, not to mention a string of No. 1 hits such as The 5th Dimension's Aquarius/Let the Sunshine In, which earned Howe his Grammy and one of six nominations. Likewise, as music maestro for feature films, he added titles like Back to the Future and Stand By Me to his resume. Meantime, he was an early experimenter with ...
American producer and recording engineer, born March 18, 1933, in Minneapolis, Minnesota. Moved to Sarasota, Florida, in 1941. Was a jazz and dance band drummer. Relocated to Los Angeles, 1956, and was an apprentice recording engineer at Radio Recorders. Hired in 1961 to be an engineer at United Recording Studios.
Mit den Mamas & Papas wurde jedoch California Dreamin’ nicht vollständig neu produziert, sondern man verwendete die im Oktober 1965 mit Barry McGuire entstandene und von Lou Adler produzierte Masteraufnahme, Toningenieur war Dayton „Bones“ Howe. Hieran wurden am Aufnahmetag im November 1965 lediglich zwei Veränderungen ...
Aber ihr Musikproduzent Dayton Burr „Bones“ Howe empfand Aquarius nicht als kompletten Song, sondern eher als Intro, denn er wurde im Musical als Eröffnungsroutine genutzt. Ziemlich am Schluss des Musicals fiel ihm jedoch ein Song mit dem Titel The Flesh Failures auf, dessen letzte drei Takte aus einem repetitiven „Let the Sunshine In“ bestanden.
