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  1. Nathan Tyler Johnson (born August 4, 1976) is an American film composer, director, and producer. Early life. Johnson was born in Washington, D.C., and grew up in Colorado. After living in England in the mid-2000s, Johnson relocated to the East Coast of the U.S., where he launched a live touring project with his band, The Cinematic Underground.

  2. August 1976 in Washington, D.C.) ist ein US-amerikanischer Filmkomponist und Musikproduzent . Inhaltsverzeichnis. 1 Leben. 2 Filmografie. 3 Weblinks. 4 Einzelnachweise. Leben. Nathan Johnson, geboren in Washington, D.C., wuchs im US-Bundesstaat Colorado auf.

  3. Nathan Johnson. As a composer, director, and producer, Nathan Johnson's innovative film scores and hybrid media performances have consistently blurred the lines between stage, screen, music, and narrative. Best known for his unconventional work in film music, Nathan favors modified, organic instrumentation combined with unique approaches to ...

  4. 13. Aug. 2021 · Nathan Johnson composed the score and wrote the songs for Joseph Gordon-Levitt's series Mr. Corman, which follows a teacher who rediscovers his musical passion. The series features original songs by Gordon-Levitt, Juno Temple, and Logic, as well as a tribute to his mother. Learn how the music reflects the character's anxiety, creativity, and relationships.

  5. 12. Dez. 2019 · Dec 11, 2019 4:16pm PT. ‘Knives Out’: Nathan Johnson on Finding the Music Cues for Rian Johnsons Murder Mystery. By Jazz Tangcay. Claire Folger. “ Knives Out ” marks the fourth...

  6. University of Arizona ( BS) University of Texas, Austin ( JD) Signature. Nathan Matthew Johnson (born February 12, 1968) is an American politician, lawyer, and composer who represents almost a million Dallas County residents in the growing and rapidly diversifying Texas Senate District 16.

  7. Nathan Johnson is a multidisciplinary artist best known for his work as a film composer and director. His innovative music (acclaimed scores for Knives Out (2019), Looper (2012), and Brick (2005), among others) and short films (videos for Son Lux, Lucius) consistently blur the lines between stage, screen, and audio-visual narrative.