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Jerry Fielding, eigentlich Joshua Feldman (* 17. Juni 1922 in Pittsburgh; † 17. Februar 1980 in Toronto) war ein US-amerikanischer Radiosprecher, Arrangeur und Film- und Fernsehkomponist. Er starb an einem Herzinfarkt . Inhaltsverzeichnis. 1 Arbeit beim Radio und Fernsehen. 2 Auszeichnungen. 3 Filmografie (Auswahl) 4 Diskographische Hinweise.
Jerry Fielding (born Joshua Itzhak Feldman; June 17, 1922 – February 17, 1980) was an American jazz musician, arranger, band leader, and film composer who emerged in the 1960s after a decade on the blacklist, [citation needed] to create boldly diverse and evocative Oscar-nominated scores, primarily for gritty, often brutally savage ...
Biography. Awards. Trivia. FAQ. IMDbPro. All topics. Jerry Fielding (1922-1980) Composer. Music Department. Soundtrack. IMDbPro Starmeter See rank. A three-time Oscar nominee, Jerry Fielding was among the boldest and most experimental of all Hollywood film composers.
- Composer, Music Department, Soundtrack
- June 17, 1922
- Jerry Fielding
- February 17, 1980
Jerry Fielding erhielt 1977 zur 49. Oscar-Verleihung eine Nominierung für die Filmmusik. 1996 wurde Der Texaner in das National Film Registry aufgenommen. Literatur. Forrest Carter: Josey Wales University of New Mexico Press, 1989, ISBN 0-8263-1168-7. Bernd Kiefer: Der Texaner – The Outlaw Josey Wales.
Jerry Fielding est un compositeur américain de musique de films né le 17 juin 1922 et mort le 17 février 1980. Il a surtout composé pour Michael Winner, Sam Peckinpah et Clint Eastwood. Dans les années 1950, il fut une des victimes du maccarthysme et inscrit sur la liste noire du cinéma.
Sci-fi. Star Trek. Jerry Fielding (17 June 1922 – 17 February 1980; age 57), born Joshua Itzahk Feldman, wrote two scores for the original Star Trek series, and later in his career he earned three Academy Award nominations and won an Emmy for Outstanding Dramatic Underscore (for the 1979 TV special High Midnight...
Jerry Fielding was an American jazz musician, arranger, band leader, TV and film composer who emerged in the 1960s to create boldly diverse and evocative Oscar-nominated scores. He formed working partnerships with both Sam Peckinpah and Clint Eastwood.
