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24. Juli 2017 · As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling. “One of ...
- 31 Sek.
- 1159
- HOTA, Home of the Arts
18. Mai 2017 · National Theatre Live: Who's Afraid of Virginia Woolf?: Directed by James MacDonald, Tim Van Someren. With Imogen Poots, Imelda Staunton, Conleth Hill, Luke Treadaway. An older couple drags a young couple into their intense arguments and abuse after accidentally inviting them to their house.
- (248)
- Drama
- James MacDonald, Tim Van Someren
- 2017-05-18
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some...
- 28 Sek.
- 1422
- Esplanade – Theatres on the Bay
18. Mai 2017 · Overview. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks.
Originaltitel: National Theatre Live: Edward Albee's Who's Afraid of Virginia Woolf? Jetzt anschauen. Filter. Bester Preis. Kostenlos. SD. HD. 4K. 🇩🇪. Stream. Aktuell kannst du National Theatre London: Who's Afraid of Virginia Woolf? nicht streamen. Wir benachrichtigen dich, sobald er verfügbar ist. Benachrichtigen. Etwas stimmt nicht?
National Theatre Live: Edward Albee's Who's Afraid of Virginia Woolf? is a film directed by with Imogen Poots, Imelda Staunton, Conleth Hill, Luke Treadaway. Year: 2017. Original title: National Theatre Live: Edward Albee's Who's Afraid of Virginia Woolf?. Synopsis: An old couple drag a young couple into their intense arguments and abuse after ...
10. Juli 2017 · As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling. “Imelda Staunton is at her magnificent best. A first-rate revival of an astonishing play.”. The Guardian.
