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Rose La Touche (1848–1875) was the pupil, cherished student, "pet", and ideal on whom the English art historian John Ruskin based Sesame and Lilies (1865). Background.
The Portraits of Rose la Touche BY JAMES S. DEARDEN* IN December 1968 I had a letter from France from an elderly lady living at St Jean-de-Luz. She told me that she had two portraits of Rose la Touche which she wished to sell. The lady was Mrs Feodora Ward-la Touche, and Rose la Touche had been her aunt by marriage. Naturally portraits of Rose ...
Rose La Touche and soon became entranced with her precocious yet innocent charm, embarking on another disastrous passion which caused great mutual unhappiness until her death in 1875 and colored his every encounter with women for the rest of his life. Much later, when looking back through his diaries to trace the causes of his mental
Rose La Touche (1848–1875) was the major love of John Ruskin. She is the and ideal on whom the English art historian John Ruskin based Sesame and Lilies (1865). Ruskin met Rose when she was ten years old, and fell in love with her when she was eleven.
Rose La Touche, the daughter of John La Touche, a wealthy Irish banker, was born in 1848. Her father became a friend of the art critic, John Ruskin.
Ruskin and Rose at Play with Words When Charles Eliot Norton and Joan Severn burned the letters written between Ruskin and Rose La Touche, they thought they were saving the romance from the public's scrutiny. Nevertheless, letters to Norton, a letter to Rose now in the Library Edition (36.368-72)1 and,
The first is the date on which Rose La Touche died aged twenty seven, the second is the day after Ruskin heard of Rose's death, hence the first date on which he returned to reading this Lectionary after knowing she was dead.
