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Picture for Women is a photographic work by Canadian artist Jeff Wall. Produced in 1979, Picture for Women is a key early work in Wall's career and exemplifies a number of conceptual, material and visual concerns found in his art throughout the 1980s and 1990s.
In seinem Bild “Picture for Women” bezieht sich der studierte Kunsthistoriker Wall auf Edouard Manets: “Un bar aux Foiles-Bergère”, von 1882. Edouard Manet: “Un Bar des Folies-Bergère “, 1881, Huile sur toile, 96,2 x 130 cm. Copyright © Coutauld Institue Galleries, Londres
17. Dez. 2020 · Picture for Women is a 1979 photograph by Canadian photographer Jeff Wall. Of large size (63 x 88 in.) it was taken in transparent Cibachrome on a light box. It is kept in Paris, at the Centre Pompidou, under the inventory number AM 1987-1135.
L’image, pour des raisons techniques, est en deux parties, dont on notera que la suture verticale passe par le centre de l’objectif photographique. Jeff Wall, qui conjugue ici différence sexuelle et adresse au regardeur, a qualifié sa composition de « leçon sur la mécanique de l’érotisme ». Jean-Pierre Criqui.
Picture for Women. Jeff Wall's photograph Picture for Women, from 1979, continues the artist's investigation of 19 th century painting within the framework of contemporary photography. The image reveals a reflection in a mirror of a sparse studio room, furnished with metallic office chairs, a work table, uncovered lightbulbs, pipes, and ...
- Canadian
- September 29, 1946
- Vancouver, Canada
Art critic Jed Perl describes Picture for Women as Wall's signature piece. Picture for Women is a 142.5 × 204.5 cm Cibachrome transparency mounted on a lightbox. Along with The Destroyed Room , Wall considers Picture for Women to be his first success in challenging photographic tradition.
This analysis of two of Jeff Wall's most important early photographic transparencies highlights the fact that his subject matter can be understood as a male artist's control of what is imagined as female-gendered physical and theoretical space. The initiation and subsequent extension of this operation in European and American critical discourse ...