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  1. 26. März 2022 · Sartre’s essay investigates how imaging consciousness allows us to operate with its objects as if they were present, even though these very objects are given to us as non-existing or absent. This is for instance what happens when we go to the theatre or read a novel:

    • Camus, Albert

      But in calling it “revolt” he takes it in a direction...

  2. 17. Juni 2019 · Imagination, according to him, is not a contingent feature of consciousness, but one of its essential features. This essay re-examines Sartre’s notion of imagination, arguing that current interpretations do not exhaust its meaning. Beginning with a consideration of dichotomies that dominate his theory of imagination—such as those ...

    • Lior Levy
    • 2019
  3. 2. Okt. 2021 · As Sartre says: “An imaging consciousness is, indeed, consciousness of an object as imaged and not consciousness of an image” (Sartre 2004, 86). But, as we shall see, to speak of the autonomy of the image is not to imply that the image is an object; far from it.

    • John Lechte
    • john.lechte@mq.edu.au
    • 2021
  4. Ways of Imagining: A New Interpretation of Sartre’s Notion of Imagination. Lior Levy. 2019, British Journal of Aesthetics. In the conclusion to The Imaginary Jean-Paul Sartre draws attention to the centrality of imagination in human life, describing it as a constitutive structure of consciousness.

    • Lior Levy
  5. This essay argues against his phenomenological distinctions by stressing the continuity of imaging with sign consciousness: between images and words.

    • Ahmet Süner
    • 2020
  6. Sartre’s concluding observations about the role of imaging consciousness in the aesthetic realm serve to synthesize his ongoing interest in the imaginary and the conceptual in our aesthetic consciousness of the work of art.

  7. Throughout the book Sartre offers arguments against conceiving images as something inside a spatial consciousness. Sartre refers to this idea as the "illusion of immanence". Sartre says that what is required for the imaginary process to occur is an analogon—that is, an equivalent of perception.