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  1. Leben und Karriere. Pemberton arbeitet seit den 1990er Jahren als Komponist, wobei er zunächst vor allem für britische Fernsehserien und Fernseh-Dokumentationen die Musik komponierte. 2010 wurde er für seine Arbeit an der Fernsehserie Desperate Romantics bei den Ivor Novello Awards in der Kategorie Best Television Soundtrack ausgezeichnet. [1]

  2. Daniel Pemberton (born 3 November 1977) is an English composer and songwriter. Primarily working in film, television, and video games, he is best known for composing the scores for the film Spider-Man: Into the Spider-Verse and its sequel Spider-Man: Across the Spider-Verse , the latter of which earned him a number of award ...

    Year
    Title
    Director (s)
    Studio (s)
    2009
    Rob Lemkin Thet Sambath
    Old Street Films International Film ...
    2011
    StudioCanal BBC Films
    2012
    Momentum Pictures BBC Films
    2013
    Jeremy Lovering
  3. Composer: The Trial of the Chicago 7. Daniel Pemberton was born on 3 November 1977 in the UK. He is a composer and actor, known for The Trial of the Chicago 7 (2020), Spider-Man: Across the Spider-Verse (2023) and Steve Jobs (2015).

    • January 1, 1
    • 2 Min.
    • UK
  4. Reception. Accolades. Track listing. Release history. Notes. References. Ferrari (2023 soundtrack) Ferrari (Original Motion Picture Soundtrack) is the soundtrack album composed by Daniel Pemberton for the 2023 film Ferrari by Michael Mann.

  5. Learn about Daniel Pemberton, a multi-award winning and versatile composer for film and TV. Explore his biography, filmography, showreel, interviews and more on his unofficial fan site.

  6. Daniel Pemberton is a composer, producer and lyricist who has worked on films such as The Counselor, The Trial of the Chicago 7 and Amsterdam. He shares his five most influential film scores, from The Third Man to Vertigo, and how they influenced his style and approach. Learn more about his career, awards and upcoming projects.

  7. Enola Holmes (Music from the Netflix Film) is a film score soundtrack composed by Daniel Pemberton for the 2020 film of the same name. Pemberton described the score as a "blend of melodic and emotional orchestral music coupled with a nice level of messy quirky oddness". [1]