Suchergebnisse
Suchergebnisse:
1 Leben. 2 Filmografie (Auswahl) 3 Weblinks. 4 Einzelnachweise. Leben. Nach seiner Ausbildung zum Kameramann in Madrid und ersten Arbeiten als Chefkameramann vertiefte Ruiz Anchía seine Kenntnisse in den USA und ist seit 1982 für den amerikanischen Film tätig.
Years active. 1971–present. Juan Ruiz Anchía (born June 12, 1949) is a Spanish cinematographer. His work includes James Foley 's adaptation of David Mamet 's Glengarry Glen Ross [1] and At Close Range .
YearTitleDirector20112010Christopher Cain2009Guy Moshe2009- Juan Ruiz Anchia, Juan Antonio Ruiz Anchía, Juan Ruiz-Anchia, Juan Ruiz-Anchía, Juan Ruiz.Anchia
- Cinematographer
- 1971–present
Juan Ruiz Anchía es un fotógrafo cinematográfico. Biografía. Nació en Bilbao, Vizcaya, España, en 1949. Se graduó en 1972 en la Escuela Oficial de Cinematografía de Madrid, donde coincidió, entre otros, con Javier Aguirresarobe e Imanol Uribe .
- Española
Juan Ruiz Anchía. Cinematographer: Blackthorn. Juan Ruiz-Anchia, ASC was born in the capital of the Basque Province of Spain, Bilbao. He graduated in 1981 from the American Film Institute (AFI in Hollywood, CA) with a Master in Visual Arts as a Director of Photography.
- Juan Ruiz Anchía
Mini Bio. Juan Ruiz-Anchia, ASC was born in the capital of the Basque Province of Spain, Bilbao. He graduated in 1981 from the American Film Institute (AFI in Hollywood, CA) with a Master in Visual Arts as a Director of Photography. Prior to attending AFI, he graduated from the Escuela Oficial de Cinematografía in Madrid, Spain in 1972.
Critics also praised the cinematography by Juan Ruiz Anchía. Ann Hornaday of The Washington Post wrote "every frame of this lushly beautiful film reflects the potent, almost mystical, effect the region's plateaus, canyons and deserts have on their human inhabitants" and called the film "a ravishing ode to the frontier spirit."
The director of photography, Juan Ruiz Anchía, relied on low lighting and shadows. A color scheme of blues, greens, and reds was used for the first part of the film, and the second half has a monochromatic blue-grey color scheme.
