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  1. The Secession Building (German: Secessionsgebäude) is an exhibition hall in Vienna, Austria. It was completed in 1898 by Joseph Maria Olbrich as an architectural manifesto for the Vienna Secession, a group of rebel artists that seceded from the long-established fine art institution.

    • 1897
    • Art Nouveau
    • 1,000 m² (11,000 sq ft)
    • Vienna, Austria
  2. The Vienna Secession (German: Wiener Secession; also known as the Union of Austrian Artists or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser ...

  3. The central entrance hall and main exhibition spaces were restored to their original proportions, and the ancillary rooms for the Secession’s exhibition programming team and the technical facilities were reorganized and improved. Most recently, the building, now protected as a historic monument, underwent rehabilitation and technical modernization in 2017–18; the measures included the ...

    • Secession hall (Austria) wikipedia1
    • Secession hall (Austria) wikipedia2
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    • Secession hall (Austria) wikipedia5
  4. Plan for the construction of the Secession, Cross section through the entrance hall (1897) by Joseph M. Olbrich Secession. Olbrich designed the building in two major parts. On the one hand,...

  5. The Secession— a term meaning “to break away”—formed in April of 1897 when a number of members within the Association of Austrian Artists departed in frustration.

  6. Das Ausstellungsgebäude der Wiener Secession, umgangssprachlich Secession genannt, wurde 1897/98 von Joseph Maria Olbrich als Ausstellungsgebäude für zeitgenössische Kunst errichtet, wozu es bis heute dient. Es ist eines der bedeutendsten Gebäude des österreichischen Secessionsstils ( Jugendstil ).

  7. 6. Dez. 2023 · Josef Maria Olbrich, Secession Building, Vienna 1897–98 (photo: Steven Zucker, CC BY-NC-SA 2.0) Many commentators of the time found the open metal work sphere at the top, composed of 3,000 golden leaves, and recalling both laurel-leaf crowns and the thinly hammered gold jewelry of ancient Mediterranean, to be the strangest of all.