Suchergebnisse
Suchergebnisse:
April 1944 der Titel Hurry, Hurry (Decca #8660). Eigene Plattenaufnahmen entstanden allerdings erst im November 1947, als sie kurzfristig für lediglich drei Singles bei King Records sang. Zwischen 1947 und 1950 sang sie im Orchester von Tiny Bradshaw . Erste Hitparadenerfolge brachte der Wechsel zu Okeh Records, deren am 8.
The Chronological Big Maybelle 1944-1953: R&B Classics 'Blues & Rhythm' 2001 Maybelle's Blues: R&B Sony Music Special Products 2001 Candy! (Savoy Blues Legends) R&B Savoy Jazz [2CD] 2001 Half Heaven, Half Heartache (The Brunswick Recordings) R&B Westside [UK] 1998 The Very Best of Big Maybelle "That's All" R&B Collectables 1995
YearSingle (a-side, B-side) Both Tracks From ...Chart Positions(us R&b [15])Album1948"Sad and Disappointed Jill" b/w "Bad ...-Non-album tracks1948"Indian Giver" b/w "Too Tight Mama"-Non-album tracks1953"Gabbin' Blues" b/w "Rain Down Rain"3"Gabbin' Blues" and Other Big Hits1953"Way Back Home" b/w "Just Want Your ...10"Gabbin' Blues" and Other Big Hits18. Mai 2004 · 1944-1953 by Big Maybelle released in 2004. Find album reviews, track lists, credits, awards and more at AllMusic.
View credits, reviews, tracks and shop for the 2004 CD release of "The Chronological Big Maybelle 1944-1953" on Discogs.
- (2)
- France
- 5
- CD, Compilation
She was the singer of the International Sweethearts Of Rhythm from 1936 to 1944, made her first recordings for King in 1947, and continued to record for OKeh 1952-1955, Savoy 1956-1959, and for Brunswick/Rojac in the mid-1960s. Mostly inactive in music due to illness from late 1960s.
She made her first record as vocalist with Christine Chatman and her Orchestra in 1944 and had Top Ten R&B hits with the OKeh label in 1953 (“Gabbin’ Blues”, “My Country Man,” and “Way Back Home”), in addition to recording the first version of “Whole Lot of Shakin’ Goin’ On.” “Candy,” “Don’t Pass Me By,” and her ...
19. Mai 2012 · Her mountainous stature matching the sheer soulful power of her massive vocal talent, Big Maybelle was one of the premier R&B chanteuses of the 1950s. Her deep, gravelly voice was as singular as her recorded output for Okeh and Savoy, which ranged from down-in-the-alley blues to pop-slanted ballads.
