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  1. 9. Juni 2023 · Sir Paul McCartney is typically modest about the photographs in 1964: Eyes Of The Storm, which catalogue a vital three months in the life of The Beatles as they travel from Liverpool to London to ...

  2. Published to coincide with the National Portrait Gallery exhibition, Paul McCartney Photographs 1963–64: Eyes of the Storm opening June 2023. This hardback book provides an intimate record of the months towards the end of 1963 and beginning of 1964 when Beatlemania erupted.

  3. 13. Juni 2023 · 1964: Eyes of the Storm presents 275 of McCartney's photographs from the six cities of these intense, legendary months - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and many never-before-seen portraits of John, George and Ringo. In his Foreword and Introductions to these city portfolios, McCartney remembers 'what else can ...

  4. 1. Okt. 2023 · Thanks to the National Portrait Gallery’s Reopening Partner: Herbert Smith Freehills LLP. An unprecedented exhibition, revealing – for the first time – extraordinary photographs taken by Paul McCartney. In this show, we focus on portraits captured by McCartney, using his own camera, between December 1963 and February 1964 – a time when ...

  5. 5. Dez. 2023 · On view right now. Through June 9, 2024. Through October 27, 2024. Captured by Paul McCartney using his own Pentax Camera, Paul McCartney Photographs 1963–64: Eyes of the Storm features more than 250 photographs taken between November 1963 and February 1964, illuminating the period in which The Beatles became international superstars.

  6. Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history. Featuring 275 images from the six cities--Liverpool, London, Paris, New York, Washington, D.C., and Miami--of these legendary months, 1964: Eyes of the ...

  7. 1964: Eyes of the Storm• A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit• Candid recollections preceding each city portfolio that form an autobiographical account of the period McCartney remembers as the “Eyes of the Storm,” plus a coda with subsequent events in 1964New ...