Suchergebnisse
Suchergebnisse:
Dusty Springfield – Fine, Fine, Very Fine Love: 4:09: Dusty Springfield Duet With Daryl Hall – Wherever Would I Be: 3:58: Dusty Springfield – Go Easy On Me: 5:36: Dusty Springfield – You Are The Storm: 4:16: Dusty Springfield – I Can't Help The Way I Don't Feel: 3:41: Dusty Springfield – All I Have To Offer You Is Love: 3:47: Dusty ...
The follow-up, 1995's country-influenced A Very Fine Love, was recorded in Nashville; during sessions for the album, she was diagnosed with breast cancer, and after months of radiation therapy the illness was believed to be in remission. By the summer of 1996, however, the cancer had returned, and on March 2, 1999, Springfield died at the age of 59; just ten days later, she was inducted into ...
Very Fine Love. Backing Vocals – Audrey Wheeler, Chris Willis, Kimberly Fleming *. Bass – Glenn Worf. Drums – Lonnie Wilson. Guitar – Dann Huff. Keyboards – Carl Marsh (2) Piano – John Jarvis. Written-By – Bob Dipiero, Jim Photoglo. Backing Vocals – Audrey Wheeler, Chris Willis, Kimberly Fleming *.
A Very Fine Love is the fifteenth studio album recorded by singer Dusty Springfield, and thirteenth released. Recorded in 1994 with producer Tom Shapiro and released in 1995, it was a Columbia Records release in both the US and UK, and Springfield's first such simultaneous release since Living Without Your Love in 1979. The album was originally tentatively called Dusty in Nashville, to tie in ...
Listen to A Very Fine Love on Spotify. Dusty Springfield · Album · 1995 · 10 songs.
A Very Fine Love is the fifteenth studio album recorded by singer Dusty Springfield, and thirteenth released. Recorded in 1994 with producer Tom Shapiro and released in 1995, it was a Columbia Records release in both the US and UK, and Springfield's first such simultaneous release since Living Without Your Love in 1979.
31. Okt. 2016 · The highlight of the album is the track from which it derives its title Fine, Fine, Very Fine Love. Despite the polished modern production, it is the most in keeping with Springfield’s blue-eyed-soul roots, all 60’s soul and soft horns – and it’s easily the track you can most imagine Springfield singing on a ‘Top of the Pops’ rostrum, pencil-microphone in hand, beehived up to ...
