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  1. 20. Okt. 2020 · Mary Ellen Chase. Abby Aldrich Rockefeller personal portrait of the wife of John D. Rockefeller, Jr., joyfull, unpredictable, animated Abby Rockefeller, this permits the intrusion of no frailty, subdues the background of Legendary wealth with New England severity, and is almost suspect in its perfection. At any rate, she is shown as a young girl; in her later courtship by John D. -- serious ...

  2. Abby Aldrich Rockefeller Art Museum 60th Anniversary . This year marks the 60th anniversary of the Abby Aldrich Rockefeller Art Museum--one of the largest collections of American folk art in the world--at the Art Museums of Colonial Williamsburg. Learn more about the collection and upcoming programs here: bit.ly/2jQYPEw

  3. John D., Jr. and Abby's former home, The Eyrie (photo to the right), was removed in 1963, yet the family chose to preserve the home’s terrace. Today the terrace provides a quiet walk for guests of the garden, and a view to the outer islands and the stretching Atlantic beyond them. The Abby Aldrich Rockefeller Garden was created between 1926 ...

  4. After a courtship that lasted five years, Abby Aldrich married John D. Rockefeller at a lavish wedding ceremony on Warwick Neck, Rhode Island on October 9, 1901.

  5. But Abby Aldrich, the bride, had more than a fairytale marriage in mind. "She was so gay and young and so in love with everything," said her smitten husband, John D. Rockefeller, Jr. — inadvertently emphasizing the features that made her decidedly un-Rockefeller. Armed with boundless enthusiasm, Abby took on the challenge of changing her new family from within. She would do that in profound ...

  6. 27. März 2019 · Even as Deskey was designing the Topside Gallery, Aldrich Rockefeller was working with Lillie P. Bliss and Mary Quinn Sullivan to develop what would become the Museum of Modern Art. The Topside Gallery was lost in 1938 when the Rockefellers’ townhouse was demolished to make room for MoMA’s first permanent building, opened the following year.

  7. She was not an expert on modern art, but she was a close friend of Abby Aldrich Rockefeller and held a legendary weekly cultural salon at her apartment. She was also the main benefactor of New York's Dalton School and deeply interested in experimental education. She chaired the Museum's first membership committee and was chairman of the education committee in the early 1930s.