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Zu den Lehrern der Académie Julian zählten neben William Adolphe Bouguereau und Tony Robert-Fleury unter anderem auch die Brüder Laurens. L’Académie Julian Nr. 3, Jahrgang 1903. Ihre Marktführerschaft brachte die Akademie mit einer eigenen Zeitschrift, L’Académie Julian, deutlich zum Ausdruck.
Selbstporträt, 1886. William Adolphe Bouguereau [ vijɑ̃ adɔlf buɡø'ʁo] (auch Adolphe-William Bouguereau; * 30. November 1825 in La Rochelle ( Département Charente-Maritime ); † 19. August 1905 ebenda) war ein französischer Maler des 19. Jahrhunderts und gilt als Meister des Akademischen Klassizismus und des Klassischen Realismus .
Academia Julian (în franceză Académie Julian) a fost o școală de artă din Paris, Franța. Istorie [ modificare | modificare sursă ] În anul 1866, Rodolphe Julian a fondat o școală privată numită Academia Julian în pasajul Passage des panoramas . [1]
Académie Julian oli ranskalainen yksityinen taidekoulu Pariisissa, jonka perusti taidemaalari Rodolphe Julian vuonna 1867. Se oli myös monien suomalaistaiteilijoiden suosiossa. Académie Julianin perustamisen aikaan Ranskan viralliset taidekoulut kuten École des Beaux-Arts eivät hyväksyneet naisia oppiinsa, koska esimerkiksi alastonmallien ...
The Académie Julian (French pronunciation: [akademi ʒyljɑ̃]) was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number and quality of artists who attended during the great period of effervescence in the arts in the early twentieth ...
23. Juni 2020 · Media in category "Académie Julian". The following 31 files are in this category, out of 31 total. 1886 group portrait Academie Julian.png 944 × 699; 677 KB. 1886 portrait of Arthur Wesley Dow at Academie Julian.png 138 × 183; 38 KB. Academie Julian Atelier de W Bouguereau 1893.jpg 3,192 × 1,828; 6.44 MB.
In principle the Académie’s role was to prepare students who wished to try for entry into the state’s prestigious École des Beaux Arts, yet since women’s entry into the École des Beaux Arts was refused until 1897, one might wonder why Julian decided to offer women artists such preparatory training as early as he did.
