1993
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Suchergebnisse:
Alexandre Astruc (* 13. Juli 1923 in Paris; † 19. Mai 2016 ebenda) [1] war ein französischer Filmregisseur, Drehbuchautor, Schriftsteller und Filmkritiker . Inhaltsverzeichnis. 1 Leben. 2 Filmografie (Auswahl) 3 Veröffentlichungen (Auswahl) 4 Weblinks. 5 Einzelnachweise. Leben.
Nationality. French. Genre. film director. journalist, novelist. Notable awards. René Clair Award. Alexandre Astruc ( French: [astʁyk]; 13 July 1923 – 19 May 2016) was a French film critic and film director.
- 13 July 1923
- film director, journalist, novelist
- 19 May 2016 (aged 92)
- French
Alexandre Astruc, né le 13 juillet 1923 à Paris 16e, où il est mort le 19 mai 2016 1, est un réalisateur, scénariste et écrivain français . Biographie. Il est le fils de Marcel Astruc, journaliste ( 15 décembre 1886 Paris 2e - 31 octobre 1979 Saint-Germain-en-Laye) et de Huguette Haendel (1898-1990), également journaliste.
- Alexandre Auguste Astruc
- 13 juillet 1923Paris 16e ( France)
- 19 mai 2016 (à 92 ans)Paris 16e ( France)
- Français
Director. Writer. Actor. IMDbPro Starmeter See rank. Born in Paris on July 13th 1923, Alexandre Astruc is the son of a couple of journalists. Very good at school, he attended a preparatory school for Polytechnique but finally became both a law and an arts graduate.
- January 1, 1
- Paris, France
- January 1, 1
- Paris, France
LA CAMERA-STYLO. by Alexandre Astruc. originally printed in 'L'Écran française' 30 March 1948 as "Du Stylo à la caméra et de la caméra au stylo". 'What interests me in the cinema is abstraction.'. - Orson Welles. One cannot help noticing that something is happening in the cinema at the moment.
23. Mai 2016 · Film-maker and writer whose theories on cinema influenced Truffaut, Godard and Chabrol. Ronald Bergan. Mon 23 May 2016 10.15 EDT. The writer and film director Alexandre Astruc, who has died...
Biography - Filmography. Alexandre Astruc (July 13th 1923 – May 19th 2016 ) is best known today as an influential film theorist whose essay ‘ Birth of a new avant-garde: la camera-stylo ’, written in 1948 for L’Ecran, advocated a more personal cinema and a new film language.
