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  1. 21. Feb. 2010 · Alphonso Bow: Directed by Lije Sarki. With Jeffrey Pierce, Michael Dempsey, Kate Rodger, Kasey Buckley. A brick salesman and an ex male-exotic-dancer trained in the martial arts argue on sex, religion, life on other planets, Hitler, Samuel Beckett, a severely injured dog, and early childhood behavior in a family style Mexican ...

    • (25)
    • Comedy, Drama
    • Lije Sarki
    • 2010-02-21
  2. Sie können Alphonso Bow laut Informationen von FULLTV im Kabelfernsehen oder in den deutschen bzw. schweizerischen Kinos (Switzerland) mit der Original-Audio online schauen, in Englisch, oder mit Untertiteln versehen.

  3. An ex-male exotic dancer trained in the martial arts now laying bricks and just about any woman he can find, Alphonso is loud, opinionated and not particularly gifted in the listening department. Frank (Michael Dempsey), on the other hand, is nearly 15-years older than Alphonso and it shows.

  4. 15. Apr. 2009 · 17. 4.3K views 14 years ago. We've all heard that talk is cheap, and that it takes money to buy whiskey, but this round story about an unlikely relationship between an old bull and a young manic...

    • 1 Min.
    • 4,4K
    • NUT BUCKET FILMS
  5. Imagine two unique fellows from different backgrounds; one an ex male-exotic dancer trained in the martial arts, who also lays countless brick and loose women; the other an older brick salesman who provides him with jobs and materials, as well as his daily obsessive debate regarding among other things, the existence of life on other planets.

  6. Imagine two unique fellows from different backgrounds; one an ex male-exotic dancer trained in the martial arts, who also lays countless brick and loose women; the other an older brick salesman who provides him with jobs and materials, as well as his daily obsessive debate regarding among other things, the existence of life on other planets. Picture the two of them eating lunch together in a ...

  7. Filmed on a modest low six-figure production budget, Alphonso Bow is simply yet naturally photographed by Dan Coplan, who manages to capture the contrast between Frank and Alphonso by allowing the camera to rest on facial expressions, body language and through effective use of lighting.