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  1. André Bazin (* 18. April 1918 in Angers, Département Maine-et-Loire; † 11. November 1958 in Nogent-sur-Marne, Département Val-de-Marne) war ein französischer Filmkritiker. Er gilt als geistiger Vater der Nouvelle Vague . Inhaltsverzeichnis. 1 Leben. 2 Denken und Wirken. 3 Werke (Auswahl) 4 Literatur. 5 Weblinks. 6 Einzelnachweise. Leben.

  2. en.wikipedia.org › wiki › André_BazinAndré Bazin - Wikipedia

    André Bazin (French:; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about film in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951, with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca .

  3. 18. Apr. 2018 · André Bazin gilt als einflussreichster Filmkritiker und Theoretiker, den die französische Kinokultur der Nachkriegszeit hervorgebracht hat. Seine Anregungen für die Filmclub-Bewegung waren...

  4. André Bazin (b. 1918–d. 1958) may well be the most influential critic ever to have written about cinema. He contributed daily reviews to Paris’s largest-circulation newspaper, Le Parisien libéré , and he wrote hundreds of essays for weeklies ( Le nouvel observateur, Télérama ) and such esteemed monthly journals as Esprit and Cahiers du ...

  5. 18. Apr. 2018 · André Bazin, the high priest of realism, practically invented film studies. It’s time he was rehabilitated from postmodern sneers, argues Peter Matthews. This piece from our August 1999 issue is republished in honour of Bazins centenary. Peter Matthews. 18 April 2018.

  6. André Bazin Revisited. by Donato Totaro Volume 7, Issue 7 / July 2003 23 minutes (5677 words) André Bazin, film critic, theorist, philosopher, and humanist wrote a series of essays between the years 1944 and 1958, before he died at the young age of 40.

  7. 4. Apr. 2017 · Total war, total history, total cinema: André Bazin on the political perils of cinematic realism | Screen | Oxford Academic. Journal Article. Total war, total history, total cinema: André Bazin on the political perils of cinematic realism. Feroz Hassan. Screen, Volume 58, Issue 1, Spring 2017, Pages 38–58, https://doi.org/10.1093/screen/hjx013.