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Vor 3 Tagen · The anthology spreads over 4 CDs, each filled with tracks that underline Jackson’s distinctive style and his command over his instrument, the vibraphone. The collection includes a variety of jazz styles, ranging from hard bop to blues.
3. Mai 2024 · Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals ...
- Milt Jackson And John Coltrane
- Analogue Productions Atlantic 75 Series
- 1,1M
- Bags & Trane Atlantic 75 Series
Milt Jackson - Milt Jackson With John Lewis, Percy Heath, Kenny Clarke, Lou Donaldson And The Thelonious Monk Quintet (1955) Share Add a Comment. Sort by: Best. Open comment sort options. Best. Top. New. Controversial. Old. Q&A. East-Jun ...
26. Apr. 2024 · Als Oscar Peterson und Milt Jackson 1962 auf »Very Tall« das allererste Mal die »Klingen kreuzten«, fragten sich viele Kritiker, weshalb die beiden Jazztitanen nicht schon viel früher zusammengearbeitet hatten. In DownBeat schrieb Jazz-Doyen Leonard Feather damals: »Dies war eine Allianz, die ebenso erfolgreich wie logische war. Peterson und Jackson haben musikalisch weitaus mehr ...
26. Apr. 2024 · Milt Jackson - Bags' Opus (1959) @320 *For me it's really some Jazz Cool, I love the two “horns”, Art Farmer on trumpet and Benny Golson on . tenor saxophone, an extraordinary osmosis with Milt . Jackson's vibraphone, along with a fi ...
28. Apr. 2024 · Milt Jackson And Lillian Clark, Barry Galbraith Quartet - Kiss And Run (7") Label: Impulse! Cat#: 45-231. Media Condition: Media: Very Good Plus (VG+) Will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Sleeve Condition: Sleeve: Generic
14. Mai 2024 · In those ways, the album is a good representative of 1959 as a whole, the year most critics and scholars agree was the start of a new “Golden Age of Jazz.” It’s a justified notion, given the sheer number of great albums and artistic movements that emerged during those 365 days, and countless investigations have been made into why 1959 was so special.
