Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Vor 6 Tagen · Hebe ( / ˈhiːbiː /; Greek: Ἥβη ), in ancient Greek religion and mythology, often given the epithet Ganymeda (meaning "Gladdening Princess"), [1] is the goddess of youth or of the prime of life. [2] She functioned as the cupbearer for the gods and goddesses of Mount Olympus, serving their nectar and ambrosia.

  2. Vor einem Tag · It first centred in Rome where artists such as Antonio Canova and Jacques-Louis David were active in the second half of the 18th century, before moving to Paris. Painters of Vedute , like Canaletto and Giovanni Paolo Panini , also enjoyed a huge success during the Grand Tour.

  3. 16. Apr. 2024 · Canova erlernte bei seinem Großvater, dem Bildhauer und Architekten Pietro Canova die Grundlagen der Bildhauerei. 1769 wurde Antonio zu dem Bildhauer Giuseppe Toretti-Bernadi in die Lehre gegeben, wo er mit Antonio d`Este Freundschaft schloß. 1773 eröffnete er seine eigene Werkstatt im Klosterhof von S. Stefano und führte die Steinstatuen des „Orpheus“ und der „Eurydike“ aus ...

  4. 6. Mai 2024 · Teseo sul Minotauro è la prima opera scultorea che Antonio Canova realizzò appena giunto a Roma. Fu commissionata nel 1781 da Gerolamo Zulian, ambasciatore della Serenissima a Roma, e terminata due anni dopo nel 1783. Il soggetto e il modo in cui viene trattato, indicano quanto Canova fosse vicino alle teorie di Johann Joachim Winckelmann.

  5. www.arte.it › opera › monumento-funebre-di-clemente-xiv-261ARTE.it - Mappare l'Arte in Italia

    2. Mai 2024 · Dodici Apostoli. Monumento funebre di Clemente XIV. DESCRIZIONE: Venne realizzato dl Antonio Canova, il grande scultore veneto, su commissione del mercante Carlo Giorgi, molto vicino a papa Ganganelli. Fu la prima grande opera di Canova a Roma, con la quale si distaccò nettamente dalla tipologia funeraria ancora legata agli schemi berniniani.

  6. Vor 5 Tagen · Antonio Canova was a fascinating mass of contradictions: a working-class child from the Venetian hinterland who became an arbiter of taste for the courts of Europe and a marquess in his own right; a shy man who hobnobbed with popes, kings, and learned women (and dared to give Napoleon a piece of his mind); the creator of impeccably polished marble statues and rough, vivacious models and ...

  7. 26. Apr. 2024 · In conclusion, Andrea del Verrocchio and Antonio Canova were two influential sculptors of the Italian Renaissance. Verrocchio's attention to detail and ability to capture the human form with remarkable accuracy, as seen in his sculptures “David” and “The Baptism of Christ,” set him apart as a master sculptor. Canova, on the other hand, was known for his elegant and idealized sculptures ...