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  1. Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée . An English translation by Eric Prenowitz was published in 1996.

    • Jacques Derrida, Eric Prenowitz
    • Mal d'Archive: Une Impression Freudienne
    • 1995
    • 1995
  2. ARCHIVE FEVER A FREUDIAN IMPRESSION JACQUES DERRIDA Let us not begin at the beginning, nor even at the archive. But rather at the word "archive"-and with the archive of so familiar a word. Arkhe we recall, names at once the commencement and the commandment. This name apparently

  3. 19. Feb. 2018 · A key reference point for recent analyses of archival technologies is the work of Jacques Derrida, in particular his Archive Fever. This difficult essay – originally a lecture delivered by Derrida in 1994 under the title ‘The Concept of the Archive: A Freudian Impression’ – is significant because it calls for a rethinking of ...

  4. Archive Fever. A Freudian Impression. Jacques Derrida. Translated by Eric Prenowitz. In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving.

  5. Archive Fever: A Freudian Impression. In this work, Jacques Derrida guides the reader through an extended meditation on remembrance, religion, time, and technology - all occasioned by a deconstructive analysis of the notion of archiving.

  6. This article reads Derridas Archive Fever (1995) as a sustained reflection on the influence of psychoanalysis on deconstruction. It examines the text's deployment of two financial figures - debt and inheritance - as contrasting ways of coming to terms with the intellectual legacy of psychoanalysis.

  7. 1. Jan. 2001 · Jacques Derrida, Eric Prenowitz (Translator) 3.77. 989 ratings84 reviews. In Archive Fever , Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving.