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Vor 6 Tagen · Orchestral instrumental. Tune from the Rita Hayworth film 'Miss Sadie Thompson.' Billboard rated Stordahl's version a 76/100 in its Dec. 5, 1953 issue: "Movi...
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10. Apr. 2024 · Die Arrangeure und Studio-Orchesterleiter, mit denen Sinatra bei seinen Studioaufnahmen am häufigsten und längsten zusammenarbeitete, waren Axel Stordahl (von 1940 bis 1961), Nelson Riddle (1953–1985), Billy May (1957–1988), Gordon Jenkins (1957–1981) und Don Costa (1961–1982).
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18. Apr. 2024 · In 1942, Sinatra hired arranger Axel Stordahl away from Tommy Dorsey before he began his first radio program that year, keeping Stordahl with him for all of his radio work. By the end of 1942, he was named the "Most Popular Male Vocalist on Radio" in a DownBeat poll.
18. Apr. 2024 · At Columbia he was still using his longtime arranger Axel Stordahl, whose backing of Sinatra could be a little syrupy at times. Still, you can sense here the beginnings of the almost conversational phrasing and emotional directness Sinatra brought to his great work in the Fifties.
18. Apr. 2024 · Despite his wishes of continuing to work with his faithful Columbia Records collaborator Axel Stordahl, it was By Matt Micucci One of the most fruitful collaboration in music history. On Capitol Records, Sinatra and Riddle gave birth to some of the best records of the fifties.
Vor 4 Tagen · Monday, April 22 Jazz Combos. Alto Sax – Xuanyu Dong, Trombone – Benjamin Curtis, Trumpet – Dylan Evans, Guitar – Caleb Velez, Piano – Caden Lovelace, Bass – Vivian Gallardo, Drums – Aaron Dyke. Vocals – Molly Kelly, Tenor Sax – Anthony DeLozier, Guitar – Bishop Ward, Piano – Yingshi Bu, Bass – Dawson Gilreath, Drums ...
8. Apr. 2024 · His chief arranger during these years was Axel Stordahl, who also left Dorsey in late 1942 to work exclusively with Sinatra. Stordahl’s spare string arrangements on beautiful recordings such as “You Go to My Head” (1945), “These Foolish Things” (1945), and “That Old Feeling” (1947) defined the sound of Sinatra’s Columbia years.
