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  1. Vor 3 Tagen · instrumental recording of: My Funny Valentine (from “Babes in Arms”) (in 1971-06) lyricist: Lorenz Hart (in 1937) composer: Richard Rodgers (composer) (in 1937) publisher: Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company sub ...

  2. 1. Mai 2024 · by Matt Micucci. “My Funny Valentine” was a show tune written by composer Richard Rodgers and lyricist Lorenz Hart for their 1937 musical Babes in Arms. It was introduced by former child star Mitzi Green, who starred in the Broadway production and also sang “The Lady and the Tramp” in the same show. “My Funny Valentine ...

  3. Vor einem Tag · Ella Fitzgerald singing The Rodgers and Hart Songbook was a fantastic idea brilliantly executed, leading to a revitalization of Ella’s career. Published on. May 15, 2023. By. Richard Havers ...

  4. Vor 20 Stunden · Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer of music, with over 900 songs and 43 Broadway musicals, leaving a legacy as one of the most significant composers of 20th-century American music. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on ...

  5. Vor 20 Stunden · The BBC transmitted new installments of the programme weekly from January 1964 through July 2006, and later converted it into a radio programme. This list does not include performances from the radio programme.

  6. Vor 3 Tagen · 7. Arguably the least successful of Rodgers and Hammerstein's musicals was this one, which was adapted from John Steinbeck's "Sweet Thursday". It had the shortest Broadway run of any of their shows. Answer: Pipe Dream. "Allegro" and "Me and Juliet" also underwhelmed both the public and the critics.

  7. Vor 2 Tagen · Stephen Joshua Sondheim (/ ˈ s ɒ n d h aɪ m /; March 22, 1930 – November 26, 2021) was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical.